"12 Studies for the Left Hand, Op. 92: V. G Major" by Moritz Moszkowski, Alain Raës had its release date on December 15, 1992. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Moritz Moszkowski, Alain Raës's "Moszkowski: 27 Piano Studies, Op. 72 & Op. 92" album is number 20 out of 27. 12 Studies for the Left Hand, Op. 92: V. G Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Studies for the Left Hand, Op. 92: V. G Major by Moritz Moszkowski, Alain Raës to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rondo capriccioso in E Major, Op. 14, MWV U67: I. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
| Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
| 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Radu Lupu | D Minor | 0 | 7A | 135 BPM | ||
| Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
| 3 Morceaux poétiques, Op. 42: I. Romance | Moritz Moszkowski, Seta Tanyel | F Major | 0 | 7B | 75 BPM | ||
| Prelude in C-Sharp Minor, Op. 3, No. 2 | Ian Hobson | A Major | 1 | 11B | 104 BPM | ||
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| Barcarolle aus Hoffmans Erzählungen | Moritz Moszkowski, Seta Tanyel | A♭ Major | 0 | 4B | 145 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 32: III. Andante | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janáček Philharmonic Orchestra | A♭ Major | 2 | 4B | 104 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: II. Allegro non troppe e grazioso | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | F♯ Major | 1 | 2B | 109 BPM | ||
| Nocturne, Op.54, No.4 | Edvard Grieg, Mikhail Pletnev | G Major | 0 | 9B | 78 BPM | ||
| Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Seong-Jin Cho | E Major | 2 | 12B | 142 BPM | ||
| Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Wales Camerata, Owain Arwel Hughes | E Minor | 0 | 9A | 76 BPM | ||
| Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | A Minor | 1 | 8A | 82 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 72 BPM | ||
| Improvisation No. 15 in C Minor, FP 176 | Francis Poulenc, Pascal Rogé | G Minor | 1 | 6A | 117 BPM | ||
| Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
| Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 1 | 5A | 100 BPM | ||
| Moszkowski: Caprice espagnol, Op. 37 | Moritz Moszkowski, Stephen Hough | F Major | 1 | 7B | 69 BPM |