"Mother of God, Here I Stand" by John Tavener, Apollo5 had its release date on February 12, 2021. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Mother of God, Here I Stand's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Where All Roses Go by Apollo5. The song's track number on the album is #9 out of 20 tracks. Mother of God, Here I Stand is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mother of God, Here I Stand by John Tavener, Apollo5 has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Mother of God, Here I Stand being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Now ye heavenly powers | Count Alexander Sheremetiev, Tenebrae | E Major | 0 | 12B | 77 BPM | ||
| Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Hymn of the Cherubim from Liturgy of St. John Chrysostom | Kammerkoret Aurum | D Minor | 0 | 7A | 78 BPM | ||
| Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Major | 1 | 8B | 71 BPM | ||
| 3 Khora: No. 2, Lyubov Svyataya (3 Choruses: Sacred Love) | Georgy Sviridov, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | D Major | 2 | 10B | 83 BPM | ||
| Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | ||
| Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| O Virtus Sapientiae | Hildegard von Bingen, Kirsteen Rogers, Christopher Monks | C Major | 0 | 8B | 76 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| Theme from Harry's Game (Arr. Lawson) | Paul Brennan, Ciaran Brennan, Voces8, Gareth McLearnon | D Minor | 0 | 7A | 102 BPM | ||
| Miserere, Op. 44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | ||
| Versa est in luctum | Alonso Lobo, Stile Antico | F♯ Minor | 1 | 11A | 125 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| O Sacrum Convivium | Gabriel Jackson, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough | E♭ Major | 0 | 5B | 69 BPM | ||
| The Wild Duck, JW IV/18 | Leoš Janáček, Collegium Vocale Gent, Reinbert de Leeuw | E Minor | 1 | 9A | 128 BPM | ||
| Requiem Mass, 1605: Kyrie | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Major | 1 | 9B | 76 BPM |