"Reception Desk" by Samuel Laflamme had its release date on December 18, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Outlast (Original Game Soundtrack)". In this album, this song's track order is #36. In terms of popularity, Reception Desk is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reception Desk by Samuel Laflamme having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Legend Status | Loved Sadness | A Major | 0 | 11B | 75 BPM | ||
| Show Me Your True Face | Samuel Laflamme | D♭ Major | 7 | 3B | 160 BPM | ||
| Yog-Sothoth | Graham Plowman | D♭ Major | 2 | 3B | 139 BPM | ||
| The Path | Shusaku Uchiyama | B Minor | 2 | 10A | 70 BPM | ||
| A Place So Wonderful | Tom Salta | C Major | 0 | 8B | 82 BPM | ||
| The Nest - Connor | Nima Fakhrara | E Minor | 1 | 9A | 138 BPM | ||
| Motherless Children | Tom Salta | D Major | 3 | 10B | 146 BPM | ||
| The Chainsaw | Kota Suzuki | F Minor | 10 | 4A | 127 BPM | ||
| The House, in Dust | Cellar of Rats | A Minor | 1 | 8A | 76 BPM | ||
| The City of Ruin | Masami Ueda | D♭ Major | 3 | 3B | 110 BPM | ||
| Shadow Across the Land | Michael Bross | D Major | 1 | 10B | 66 BPM | ||
| Camp Fire | Adam Wingard | F♯ Major | 0 | 2B | 80 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| Jigsaw Lair | Charlie Clouser | D♭ Major | 1 | 3B | 67 BPM | ||
| Tearing at the Flesh | Miwako Chinone | D♭ Major | 4 | 3B | 116 BPM | ||
| Grass Attack | Jed Kurzel | D♭ Major | 3 | 3B | 65 BPM | ||
| Michelle | Bear McCreary | G Major | 4 | 9B | 74 BPM | ||
| Investigation - Connor | Nima Fakhrara | E Minor | 1 | 9A | 138 BPM | ||
| Eternity | Richard Morgan, Rich Morgan | C Major | 2 | 8B | 118 BPM | ||
| Main Menu | Miwako Chinone | D♭ Minor | 0 | 12A | 76 BPM | ||
| Wide Land of Ruins | Siamgda | B Major | 5 | 1B | 111 BPM | ||
| Counterfeit | Martin Stig Andersen | A♭ Major | 1 | 4B | 91 BPM | ||
| Flourish, Dear Child - El Gigante | 大本望美 | D Major | 5 | 10B | 75 BPM | ||
| God Don’t Hear Dead Men | Samuel Laflamme | G Major | 10 | 9B | 160 BPM | ||
| Typhon Voices | Mick Gordon | D Major | 4 | 10B | 100 BPM |