The official release date for Circle Of Mead by Jan Pieterszoon Sweelinck, Classical Hits, Via Arcana was February 4, 2026. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Classical Hits, Via Arcana's "Medieval Heart, Vol.1" album is number 2 out of 4. Based on our statistics, Circle Of Mead's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Circle Of Mead by Jan Pieterszoon Sweelinck, Classical Hits, Via Arcana to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Te Deum laudamus pour deux choeurs et basse continue: II. Te ergo quaesumus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 100 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | C Major | 4 | 8B | 138 BPM | ||
| Vespro della Beata Vergine, SV 206: Esurientes | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | B♭ Major | 1 | 6B | 91 BPM | ||
| Stabat Mater: V. Tui nati vulnerati | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| In Nomine No. 14, 'Reporte' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 86 BPM | ||
| Vespro della Beata Vergine, SV 206: Et misericordia | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | D Minor | 4 | 7A | 132 BPM | ||
| Mein junges Leben hat ein End | Jan Pieterszoon Sweelinck, Amsterdam Loeki Stardust Quartet | D Minor | 0 | 7A | 81 BPM | ||
| Sus mon ame qu'on benie le souverain (Ps. 146) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | F♯ Minor | 2 | 11A | 113 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| Fantasia chromatica in Dorian mode, SwWV 258 | Jan Pieterszoon Sweelinck, Joseph Kelemen | D♭ Minor | 1 | 12A | 63 BPM | ||
| O quam suavis est, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | A♭ Major | 2 | 4B | 140 BPM | ||
| Missa Quarti Toni: Agnus Dei | Vincenzo Ruffo, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 132 BPM | ||
| Preisung CXLVIII | Sjaella | A Minor | 1 | 8A | 137 BPM | ||
| Jephte - Plorate filii Israel (Chorus) | Giacomo Carissimi, New Trinity Baroque, The Oxford Chorale, dir. Predrag Gosta | E♭ Minor | 1 | 2A | 83 BPM | ||
| Est-Ce Mars | Jan Pieterszoon Sweelinck, Pieter-Jan Belder | B Major | 4 | 1B | 115 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Erbarm dich mein, o Herre Gott, SwWV 303: Variation 2 | Jan Pieterszoon Sweelinck, Joseph Kelemen | A♭ Minor | 1 | 1A | 89 BPM | ||
| Missa, "In myne zin": Agnus Dei: Agnus I | Alexander Agricola, A:N:S Chorus, Janos Bali | F Major | 2 | 7B | 123 BPM | ||
| Das Blut Jesu Christi | Johann Michael Bach, Vox Luminis, Lionel Meunier, Scorpio Collectief | F Major | 1 | 7B | 74 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Merk auf mein Herz, BWV Anh. III 163: VI. Ach, mein herzliebes Jesulein | Johann Christoph Bach, Vox Luminis, Lionel Meunier | F Major | 0 | 7B | 78 BPM | ||
| I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | ||
| Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM |