Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra Song Details

"Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra had its release date on 1976. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #11. Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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Popularity: 38%
Loudness: -18.719 dB
Acousticness: 97%
Danceability: 14%
Energy: 13%
Instrumentalness: 87%
Liveness: 49%
Loudness: 69%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, London Symphony Orchestra, Peter Maag	E♭ Major	2	5B	75 BPM
Don Quixote: Act III: Entree	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	E♭ Major	1	5B	94 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Major	0	11B	69 BPM
La Bayadere, Act II: 36. "Variations Nikiya; Snake, and Finale"	Evergreen Symphony Orchestra, Kevin Galiè	C Major	2	8B	135 BPM
The Lady and the Fool - Suite: VI. Pas de deux	Giuseppe Verdi, London Philharmonic Orchestra, Sir Charles Mackerras	F Major	0	7B	81 BPM
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve	Alexander Borodin, Leonard Bernstein, New York Philharmonic	A Major	2	11B	0 BPM
La Bayadere, Act II: 33. "Wedding Variation - Gamzatti"	Evergreen Symphony Orchestra, Kevin Galiè	A♭ Major	1	4B	78 BPM
Coppélia / Tableau 3: No. 20 Fête de la cloche: 7a) La paix	Léo Delibes, Ron Golan, Orchestre de la Suisse Romande, Richard Bonynge	F Major	2	7B	81 BPM
Pas de quatre - Arr. for Mme Markova by William McDermott	Cesare Pugni, London Symphony Orchestra, Erich Gruenberg, Richard Bonynge	D Major	1	10B	81 BPM
Swan Lake, Op. 20, TH 12: No. 14, Scène. Moderato	Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, William Vacchiano, David Nadien	E Minor	2	9A	66 BPM
The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3h. Pas de six: Variation VI (Lilac Fairy)(Waltz)	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev	G Major	1	9B	107 BPM
Symphony No. 5 in E Minor, Op. 64, TH 29: III. Waltz. Allegro moderato	Pyotr Ilyich Tchaikovsky, Antoni Wit, Polish National Radio Symphony Orchestra	A Major	2	11B	147 BPM
Giselle - Act 2: No. 10 Apparition et scène de Myrtha: c) Pas de Myrtha (Andantino)	Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari	E♭ Major	1	5B	113 BPM
Stolze & Tchaikovsky: Onegin: Tatiana's Bedroom. Apparition of Onegin - Pas de deux (After Eugen Onegin, Op. 24)	Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra	B Minor	0	10A	85 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim	E♭ Major	0	5B	56 BPM
Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	2	5B	75 BPM
Coppelia: Act III - Le priere	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	92 BPM
Final Scene - Tatiana Rejects Onegin (Onegin Ballet Suite No 28)	Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery	B♭ Minor	1	3A	94 BPM
Prokofiev: Cinderella, Op. 87, Act 2: No. 30, Grand Waltz	Sergei Prokofiev, André Previn, London Symphony Orchestra	D Minor	1	7A	83 BPM
Don Quixote: Introduction	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	G Major	1	9B	80 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E♭ Major	1	5B	113 BPM
Prokofiev: Cinderella, Op. 87, Act 1: No. 1, Introduction	Sergei Prokofiev, André Previn, London Symphony Orchestra	C Major	1	8B	79 BPM
Don Quixote, Act 3: Coda (Arr. John Lanchbery)	John Lanchbery, Ludwig Minkus, State Orchestra Of Victoria	A Major	4	11B	146 BPM