"Low-Tech Beats High-Tech" by Kevin Matley had its release date on January 10, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 16 in Den of Thieves 2: Pantera (Original Motion Picture Score) by Kevin Matley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Low-Tech Beats High-Tech is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Low-Tech Beats High-Tech by Kevin Matley is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunset | Harmonies Piano | D Minor | 3 | 7A | 120 BPM | ||
| The Atlas Crew | Will Bates | F♯ Minor | 4 | 11A | 129 BPM | ||
| Judge Maddox | Ramin Djawadi | D Minor | 3 | 7A | 120 BPM | ||
| Eternal Recluse | Kyle Preston | A Minor | 2 | 8A | 91 BPM | ||
| midnight | unseen | D Minor | 3 | 7A | 120 BPM | ||
| On A Bridge Over The Dnieper | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Altair | Keramet Boyukcol, Kukando | G Major | 4 | 9B | 110 BPM | ||
| Magnetic Music | Hotto | A♭ Major | 1 | 4B | 170 BPM | ||
| Stellar Remains Part 1 | Caught in Joy | C Major | 1 | 8B | 154 BPM | ||
| Find Alexander | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| DESEO LO MEJOR | Wiamank | B Major | 6 | 1B | 88 BPM | ||
| Strings Attached | Halo, Sean Callery, Colin Stetson | C Major | 2 | 8B | 94 BPM | ||
| How Are You? | Jon Ekstrand | D♭ Minor | 1 | 12A | 82 BPM | ||
| Disconnection | David Hanhell, Dave Hahnall | F Minor | 3 | 4A | 180 BPM | ||
| Fractures | Cris Velasco | D Minor | 3 | 7A | 120 BPM | ||
| Funeral | Jónsi | D♭ Major | 1 | 3B | 114 BPM | ||
| Shard Of Glass | Adrian Johnston | D Minor | 3 | 7A | 120 BPM | ||
| Elixir | Bretolyx | A Minor | 0 | 8A | 72 BPM | ||
| Apollo | Kevin Matley | E Major | 4 | 12B | 111 BPM | ||
| Shared Vision | Halo, Sean Callery, Colin Stetson | G Minor | 3 | 6A | 124 BPM | ||
| Room With No Echo | Shadow Lines | C Minor | 4 | 5A | 188 BPM | ||
| Across the Jungle | David Reichelt | D Minor | 3 | 7A | 120 BPM | ||
| A Rose-Red City | Lavinia Concia | C Major | 2 | 8B | 120 BPM | ||
| Low Inner Shape | Golden Undercurrent Soft | D Minor | 3 | 7A | 120 BPM | ||
| Traffic Up Ahead | Cliff Martinez | A♭ Major | 2 | 4B | 66 BPM |