Ravindra Sathe, Chandrakant Kale's ' "Vadivarlya Vata" was released on its scheduled release date, December 31, 1977. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hridaynath Mangeshkar's "Jait Re Jait (Original Motion Picture Soundtrack)" album is number 11 out of 13. On top of that, India appears to be the country where this track was created. The popularity of Vadivarlya Vata is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Vadivarlya Vata by Ravindra Sathe, Chandrakant Kale to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Natha Ghari Nache Maza Pandurang | Jitendra Abhisheki | E Minor | 4 | 9A | 85 BPM | ||
| Ghadyalan Vajle Sade Go Bara | Krishna Shinde, Shakuntala Jadhav, Ramdas Patil | C Minor | 3 | 5A | 134 BPM | ||
| Paap Tarun | Diwaliben Bhil, Ismail Valera | E♭ Major | 5 | 5B | 134 BPM | ||
| Aali Tun Tun Tara | Shahir Pandurang Vanmali | F♯ Major | 5 | 2B | 78 BPM | ||
| Chal Uth Re Mukunda | Suman Kalyanpur | D Major | 10 | 10B | 138 BPM | ||
| Gar Dongarachi Hava | Shakuntala Jadhav | F Minor | 5 | 4A | 97 BPM | ||
| Pori Nako Sangu Tuje Bapala | Shahir Damodar Vitavkar | F Major | 4 | 7B | 74 BPM | ||
| Bayko Lay Manchandi | Anand Shinde | B Major | 6 | 1B | 94 BPM | ||
| He Murliche Sur | Anuradha Paudwal, Ravindra Sathe | D Major | 6 | 10B | 101 BPM | ||
| Vatevar Kate Vechit Chalalo 1975 | Vasantrao Deshpande | F♯ Major | 3 | 2B | 97 BPM | ||
| Kanhoba Tuzi Ghongadi | Bhimsen Joshi | D Major | 1 | 10B | 69 BPM | ||
| Vishwacha Vishram Re | Jitendra Abhisheki | E Major | 5 | 12B | 84 BPM | ||
| Tula Pahile Mi | Shridhar Phadke | B♭ Major | 5 | 6B | 110 BPM | ||
| Runanubandhachya | Kumar Gandharva, Vani Jairam | B♭ Major | 3 | 6B | 104 BPM | ||
| Pandharichi Vaari | Bhimsen Joshi | D♭ Major | 4 | 3B | 82 BPM | ||
| Jodi Tujhi Majhi Jamli | Milind Ingle | E♭ Major | 6 | 5B | 133 BPM | ||
| Ho Re Re Re | Kishore Kumar | G Major | 5 | 9B | 117 BPM | ||
| Nagabeku Nagisabeku | P. B. Sreenivas | A Minor | 4 | 8A | 138 BPM | ||
| Chikna Chikna Mhavra Maza | Shahir Vitthal Umap | B♭ Major | 5 | 6B | 192 BPM | ||
| Jivanath Hi Ghadi (with Commentary) | Yeshwant Deo, Lata Mangeshkar | B Major | 4 | 1B | 97 BPM | ||
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM | ||
| Antricha Bhaav | Bhimsen Joshi | F Major | 2 | 7B | 67 BPM | ||
| Naam Vittal Vittal Ghevu | Prahlad Shinde | F♯ Major | 10 | 2B | 100 BPM | ||
| Jai Jai Mangal Mate Aarti Tav Shivkante | Ravindra Sathe | B Major | 5 | 1B | 89 BPM | ||
| Datta Darshanala Jayacha | Raghunath Salokhe, Shivaprasad Bhajani Mandali, Kolhapur | A Major | 5 | 11B | 110 BPM |