"Help Him On His Way" by Neil Davidge had its release date on April 14, 2015. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Neil Davidge's "Monsters: Dark Continent" album is number 17 out of 34. Based on our statistics, Help Him On His Way's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Help Him On His Way by Neil Davidge to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atlantis of the Sands | Greg Edmonson | D Major | 5 | 10B | 141 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| Welcome to London, Major | Christophe Beck | B♭ Major | 1 | 6B | 80 BPM | ||
| Funeral Pyre | John Powell, Pete Anthony, The Hollywood Studio Symphony | D Major | 10 | 10B | 108 BPM | ||
| LIMB Clinic | Michael McCann | A♭ Major | 1 | 4B | 83 BPM | ||
| The Scariest Thing | Neil Davidge | B Major | 3 | 1B | 120 BPM | ||
| Final Moments | Joseph Trapanese | F♯ Minor | 1 | 11A | 90 BPM | ||
| MacAllan's Endgame | Stephen Barton | E Minor | 6 | 9A | 111 BPM | ||
| Precinct Siege | Ola Strandh | B Minor | 8 | 10A | 180 BPM | ||
| Evening the Odds | Nick Arundel | E Minor | 5 | 9A | 102 BPM | ||
| Ende | Mick Gordon | G Minor | 1 | 6A | 86 BPM | ||
| A Guardian Remains | A Song in the Storm | F Minor | 3 | 4A | 102 BPM | ||
| Memories | John Paesano | C Minor | 1 | 5A | 76 BPM | ||
| The Storm That Brought Me To You | Ramin Djawadi, Neil Davidge, Tina Dico | G Major | 3 | 9B | 83 BPM | ||
| I Am Not a Hero (Prologue) | Jon Everist, Paradox Interactive | A Minor | 4 | 8A | 130 BPM | ||
| Reverie | Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| Battle For Supremacy (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | A Minor | 6 | 8A | 120 BPM | ||
| Mountains, Water Fingers and Lumpy Grass | Neil Davidge | D Major | 1 | 10B | 200 BPM | ||
| The World on Her Shoulders (feat. Julie Elven) | Joris de Man, Julie Elven | D♭ Minor | 3 | 12A | 83 BPM | ||
| Negative Space | Kaveh Cohen, Michael Nielsen | B♭ Major | 1 | 6B | 144 BPM | ||
| From Past to Present | London Symphony Orchestra, London Voices, The Elder Scrolls | C Major | 0 | 8B | 72 BPM | ||
| Small Trees in Sand | Neil Davidge | E Major | 1 | 12B | 74 BPM | ||
| Sea Of Sirens | Christopher Tin | E Minor | 3 | 9A | 153 BPM | ||
| Always Forever | Naomi Chinenye, KOOKA | E Major | 2 | 12B | 62 BPM | ||
| There Is A God In You | Ramin Djawadi | F Major | 5 | 7B | 89 BPM |