Shozo Ise's 'さよならの到着便' had a release date set for June 18, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 海がここに来るまで, so we believe that "さよならの到着便" is a single. In terms of popularity, さよならの到着便 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of さよならの到着便 by Shozo Ise is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| いくつかの場面 | Kenji Sawada | F Major | 3 | 7B | 125 BPM | ||
| ガラスの恋人 | Masamichi Sugi | G Major | 6 | 9B | 121 BPM | ||
| 今・今・今 | Kiyohiko Ozaki | C Minor | 3 | 5A | 111 BPM | ||
| 波羅葦僧(パラダイス) | George Yanagi | A Minor | 3 | 8A | 72 BPM | ||
| どんなに時が流れたあとも | THE JAYWALK | E♭ Major | 5 | 5B | 130 BPM | ||
| 苦い涙 - Remastered 2022 | Eikichi Yazawa | B Major | 7 | 1B | 105 BPM | ||
| 僕と君の子午線 | Shozo Ise | D Minor | 3 | 7A | 121 BPM | ||
| あなたがいたから僕がいた | Goro Noguchi | D Minor | 6 | 7A | 144 BPM | ||
| 優しさの街角 | Masatoshi Nakamura | F Major | 3 | 7B | 73 BPM | ||
| センチメンタル・ナイト | George Yanagi | E Minor | 4 | 9A | 91 BPM | ||
| ひとり占い - 2016 Remaster | Grape | E Minor | 3 | 9A | 82 BPM | ||
| デラシネ | 佐藤 隆 | F♯ Major | 10 | 2B | 143 BPM | ||
| ふるさとを見せてあげたい | シモンズ | D Major | 4 | 10B | 177 BPM | ||
| なごり雪 | Kosetsu Minami | F Major | 4 | 7B | 134 BPM | ||
| 月曜日にはバラを | Junichi Inagaki | D Major | 5 | 10B | 96 BPM | ||
| ラスト・シーン | Hiromi Iwasaki | B♭ Major | 3 | 6B | 110 BPM | ||
| あの日の風景 | あみん | D Major | 4 | 10B | 75 BPM | ||
| 故郷未だ忘れ難く | Kaientai | D Major | 3 | 10B | 143 BPM | ||
| ダンシング・オールナイト | Monta & Brothers | G Minor | 6 | 6A | 74 BPM | ||
| Nagareboshi ga Suki | Ami Ozaki | D Minor | 5 | 7A | 94 BPM | ||
| 秋終記 | 伊藤敏博 | A♭ Major | 2 | 4B | 78 BPM | ||
| 二十三夜 | 佐藤 隆 | G Minor | 8 | 6A | 116 BPM | ||
| ゴールは見えない | ALICE | E Minor | 7 | 9A | 152 BPM | ||
| ひなげし | とんぼちゃん | D Minor | 4 | 7A | 81 BPM | ||
| 思えば遠くへ来たもんだ~故郷離れて四十年~ | Kaientai | D Minor | 6 | 7A | 86 BPM |