"Rage - Voice" by Sally Potter, Fred Frith, Thomas Bloch had its release date on 1997. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Rage - Voice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Tango Lesson - OST". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Rage - Voice's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rage - Voice by Sally Potter, Fred Frith, Thomas Bloch having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let's Go Out Tonight | Craig Armstrong | E Major | 4 | 12B | 122 BPM | ||
| New Found Lands | Debbie Wiseman, The Locrian Ensemble Of London | E Minor | 2 | 9A | 95 BPM | ||
| An Eye For Optical Theory | Michael Nyman | B♭ Major | 3 | 6B | 205 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| Body Double - Excerpt from Body Double | Pino Donaggio | F Major | 4 | 7B | 110 BPM | ||
| Désintegration (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge, Harry Allouche | C Major | 5 | 8B | 120 BPM | ||
| The Call | Casey MQ | D Major | 2 | 10B | 101 BPM | ||
| Coming To | Park Jiha | F Major | 0 | 7B | 91 BPM | ||
| Black Madonna | Cat's Eyes | B♭ Major | 2 | 6B | 129 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Danse de Cuisine - Voice | Sally Potter, Fred Frith | A Minor | 1 | 8A | 135 BPM | ||
| The Mona Lisa | Caroline Shaw, Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | G Major | 1 | 9B | 120 BPM | ||
| Le Diable | Andrea Farri | G Major | 1 | 9B | 120 BPM | ||
| Dreaming Her | Pattingson | D Major | 2 | 10B | 113 BPM | ||
| La Vita | Beverly Glenn-Copeland | B♭ Minor | 5 | 3A | 96 BPM | ||
| Anima | Syrduk | A♭ Major | 3 | 4B | 143 BPM | ||
| Trampas Permitidas | Sirenas Celestiales | F Minor | 1 | 4A | 75 BPM | ||
| Lumberton | Tuxedomoon, Cult With No Name | D Major | 1 | 10B | 93 BPM | ||
| Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano] | Camille Saint-Saëns, Clara Rockmore, Nadia Reisenberg | G Major | 1 | 9B | 93 BPM | ||
| Freshair | Ale Power | D♭ Minor | 0 | 12A | 77 BPM | ||
| Gorodish - Remastered | Vladimir Cosma | B♭ Major | 1 | 6B | 67 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| Sementa | Pasquale Catalano, Marco D’amore | C Major | 5 | 8B | 120 BPM | ||
| Lost Without You | Ruth Barrett, EERA, Dom James | D Minor | 2 | 7A | 105 BPM | ||
| Time To Go | Sally Potter | G Major | 2 | 9B | 130 BPM |