Take The A Train
Jacob Roved Quintet, John Ruocco, Thomas Fryland
Remembering Billy Strayhorn
8:40 September 18, 2015
BPM
68
Key
F Major
Camelot
7B

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Take The A Train by Jacob Roved Quintet, John Ruocco, Thomas Fryland Song Details

Jacob Roved Quintet, John Ruocco, Thomas Fryland's ' "Take The A Train" was released on its scheduled release date, September 18, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Remembering Billy Strayhorn". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Denmark. Take The A Train is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

With Take The A Train by Jacob Roved Quintet, John Ruocco, Thomas Fryland having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.902 dB
Acousticness
68%
Danceability
37%
Energy
60%
Instrumentalness
87%
Liveness
9%
Loudness
85%
Speechiness
3%
Valence
44%

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ISRC
DK5U31500101
Label
L-M Records/RCA Records