"Nishigandha" by Rupam Bhuyan, Dipankar Amrit had its release date on March 28, 2025. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 4 in the song's album "Nishigandha". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Nishigandha is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nishigandha by Rupam Bhuyan, Dipankar Amrit having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Manahot Mayur Nasise | Achurjya Borpatra, Paplu Chetia, Arnab Bashistha | F♯ Minor | 5 | 11A | 87 BPM | ||
| Mora Sajna | Rudra Majumder | D♭ Major | 6 | 3B | 66 BPM | ||
| Godhuli Ahil | Rupam Bhuyan | D Major | 3 | 10B | 144 BPM | ||
| Parijat | Shankuraj Konwar, Hopun Saikia, Rintu Saikia | D♭ Minor | 5 | 12A | 166 BPM | ||
| Tshornang | Phuntsho Wangdi | E Major | 5 | 12B | 126 BPM | ||
| Premore Proman | Achurjya Borpatra, Anju Panchi | E♭ Major | 5 | 5B | 91 BPM | ||
| KAHINIR DORE | Nayan Nilim, IBSAN LAL BARUAH | F♯ Major | 6 | 2B | 105 BPM | ||
| Sohoj Nohoy (Male Version) | Rupam Bhuyan, Sarat Barkakati, Hriday Goswami | G Major | 3 | 9B | 105 BPM | ||
| Jakoi | Randeep Saikia, Dipanwita Deka, Paul Mahanta, Himanshu Saikia | D♭ Major | 7 | 3B | 74 BPM | ||
| Proshno | Zenith Gogoi, Anurag Barua, Indranil Gayan, Mukti Muhurta Hazarika, Manas Tushar | C Major | 3 | 8B | 123 BPM | ||
| Ayang Esar | Hemanta Doley, Richma Panging, Anand Doley, Gulap Bori | A♭ Major | 6 | 4B | 90 BPM | ||
| Jibono Moroner | Piya Chakraborty | D♭ Minor | 5 | 12A | 125 BPM | ||
| Fagun | Rupam Bhuyan | E Major | 5 | 12B | 140 BPM | ||
| Bhagyamani | Sunil Giri, Anju Acharya | F Major | 6 | 7B | 132 BPM | ||
| Preyoshi | Chirkut, Subham Mitra | E Major | 4 | 12B | 108 BPM | ||
| Era Dhora | Bishrut Saikia | B Minor | 4 | 10A | 111 BPM | ||
| Jakoruwa | Shankuraj Konwar, Maitrayee Patar | D♭ Major | 4 | 3B | 145 BPM | ||
| Xutor Biporite | Papon | G Minor | 5 | 6A | 144 BPM | ||
| Bhalpuwar Rongere | Nilotpal Bora | E Major | 5 | 12B | 174 BPM | ||
| সব ছেড়ে আমিও চলে যাবো | Azharul Islam | A♭ Major | 2 | 4B | 135 BPM | ||
| Oh Ajang | Pronil Porbosa | B♭ Minor | 7 | 3A | 100 BPM | ||
| Kuwasun Ebar Bhal Pao Buli | Zubeen Garg | E Major | 5 | 12B | 103 BPM | ||
| Durote Noroba | Rishi Raj Phukan, Ranamit Sarma | F♯ Major | 3 | 2B | 165 BPM | ||
| Bedona Bhora (Reprise) | Dhiraj Dutta, Tarunabh Dutta, Rupam Bhuyan, Rakesh Baro | F Major | 5 | 7B | 135 BPM | ||
| Xapunot | Achurjya Barpatra, Nilakshi Neog | B♭ Minor | 9 | 3A | 136 BPM |