On December 31, 1942, the song "Ek Duniya Basale Mere Man" was released by Parul Ghosh, Arun Kumar. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 10 in Basant by Pannalal Ghosh, P. L. Santoshi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ek Duniya Basale Mere Man's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ek Duniya Basale Mere Man by Parul Ghosh, Arun Kumar is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eso Go Jwele Diye Jao | Debabrata Biswas | B Major | 3 | 1B | 91 BPM | ||
| Balam Dheere Bol | Parul Ghosh, Arun Kumar | B♭ Major | 4 | 6B | 132 BPM | ||
| Zara Sambhalna Meri Jaan | Kamal Barot, Mukesh, Lata Mangeshkar, Laxmikant–Pyarelal | F♯ Minor | 4 | 11A | 84 BPM | ||
| Aakash Pane Cheye Cheye - Chand Dakte Giye Ami | Manna Dey | E♭ Major | 3 | 5B | 134 BPM | ||
| Aasaar Aasaa Bhabe Aasaa | Pannalal Bhattacharya | B Minor | 6 | 10A | 120 BPM | ||
| Naina Re Dekho | Khurshid, Rajkumari | B Major | 2 | 1B | 170 BPM | ||
| Dhanya Bhag Seva Ka Avsar Paya | Rajan Mishra, Sajan Mishra, Kavita Krishnamurthy, Laxmikant–Pyarelal | D Major | 7 | 10B | 92 BPM | ||
| Eshq O Mehrat | Ahmad Zahir | E♭ Minor | 5 | 2A | 105 BPM | ||
| Aie Mere Mehboob Meri Zindagi - Pt. 2 | Salma Agha, Shabbir Kumar | G Minor | 3 | 6A | 100 BPM | ||
| Niyona Biday | Pannalal Bhattacharya | A Major | 2 | 11B | 77 BPM | ||
| Diya Jalao | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Hath Mein Makhan Dhul Bhara Tan - REMASTERED | Ravindra Jain, Mohammed Aziz | F Minor | 8 | 4A | 149 BPM | ||
| Mere Pehlu Men Aake Baitho | Mohammed Rafi, Qamar Jalalabadi | B♭ Major | 5 | 6B | 97 BPM | ||
| Aa Ja Re Nindiya | Geeta Dutt, Parul Ghosh, Ramesh Gupta | F Minor | 3 | 4A | 139 BPM | ||
| Door Hote Nahin Jo Dil Men | Suraiya, Talat Mahmood | G Minor | 2 | 6A | 137 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Aanewale Ko Aana Hoga | Lata Mangeshkar, Mohammed Rafi | E Major | 4 | 12B | 171 BPM | ||
| Teri Meri Yaari Badi Purani (From “Charitraheen”) - Dialogues | Sharmila Tagore, Sanjeev Kumar, Asha Bhosle | D♭ Minor | 6 | 12A | 76 BPM | ||
| Ye Matti Sabhi Ki Kahani Kahege | Mahendra Kapoor, Bharat Vyas | E♭ Minor | 4 | 2A | 66 BPM | ||
| Oji Hari Kit Gaye | Lata Mangeshkar | D♭ Major | 7 | 3B | 81 BPM | ||
| Jhim Jhim Jhim Dupure | Arundhati Holme Chowdhury, Salil Chowdhury | E Major | 1 | 12B | 74 BPM | ||
| Chandni Aai Ban Ke Pyar | Shamshad Begum, Shakeel Badayuni | D Major | 4 | 10B | 88 BPM | ||
| Shimul Ranga Palash Ranga | Bhupen Hazarika | E♭ Major | 3 | 5B | 97 BPM | ||
| Ek Panchhi Ban Ki Main | Vani Jairam, Naqsh Lyallpuri | G Minor | 3 | 6A | 105 BPM | ||
| Sunder Angna Baithi | Amir Khan | B Major | 3 | 1B | 70 BPM |