On September 3, 2002, the song "Neminath Swami Mhari" was released by Bhawar Chaudhari, Rekha Trivedi, Shila Sethiya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Tirthankar Mahima". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Neminath Swami Mhari's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Neminath Swami Mhari by Bhawar Chaudhari, Rekha Trivedi, Shila Sethiya having a BPM of 158 with a half-time of 79 BPM and a double-time of 316 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ame Aavya Ramva | Appu, Suchita | F Minor | 4 | 4A | 105 BPM | ||
| Tame Re Sonune Ame Rakh | Hemant Chauhan | E Major | 5 | 12B | 133 BPM | ||
| Kaalka Betha Che Dungre Jai | Hemant Chauhan | B♭ Major | 8 | 6B | 112 BPM | ||
| Re Ho Re Madi | Appu | A♭ Major | 6 | 4B | 93 BPM | ||
| Mann Mohan Muraliwala | Baba Maharaj Satarkar | D Major | 6 | 10B | 77 BPM | ||
| Dhanya Dhanya Ho Pradakshina | Ketan Patwardhan | E♭ Minor | 4 | 2A | 85 BPM | ||
| Radha Ke Manmeet Saanware - Original | Anup Jalota & Lalitya Munshaw | F♯ Minor | 5 | 11A | 132 BPM | ||
| Mere Mann Ka Papiha | Sarika Kapoor, Surinder Kohli | F♯ Minor | 5 | 11A | 152 BPM | ||
| He Naath Jineshwar Dev Main Thara | Bhawar Chaudhari | E♭ Major | 5 | 5B | 95 BPM | ||
| Mangal Karo Mahaveer | Satish Dehra | G Major | 2 | 9B | 100 BPM | ||
| Dattaguruchi Aarti | R.N. Paradkar | F♯ Major | 4 | 2B | 87 BPM | ||
| Ki Thane Man Ra Mit Banalu | Bhawar Chaudhari, Rekha Trivedi | G Major | 6 | 9B | 114 BPM | ||
| Shiv Pita Parmatma Shaant Man Kare | Brahma Kumari | F♯ Major | 4 | 2B | 145 BPM | ||
| DE DE DE DEVA DARSHAN | Mahesh Hiremath, Sangeeta Kulkarni | A♭ Minor | 4 | 1A | 101 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Vhala Ne Makhan Bhave Re | Utpal Jivrajani, Nidhi Dholakia | C Minor | 5 | 5A | 132 BPM | ||
| Rang Jeevan Mein | Salma Agha | F♯ Minor | 8 | 11A | 109 BPM | ||
| Nay Gonge Nay Gonge | Veena Bamne, Shrikant Narayan | B♭ Minor | 4 | 3A | 165 BPM | ||
| Jay Datta Bola Jay Jay Datt Bola | Mahesh Hiremath, Shubhangi Joshi | G Minor | 8 | 6A | 104 BPM | ||
| Aaj Main to Kidha Darshan Aapra Re Dayalu | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya | E♭ Major | 5 | 5B | 95 BPM | ||
| Ant Samay Main | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethia, Archana Vyas | F♯ Major | 5 | 2B | 88 BPM | ||
| Balumamachya Darshanala | Shakuntala Jadhav | D Major | 6 | 10B | 79 BPM | ||
| Om Jay Shiva Omkaaraa | Namita Agrawal | F♯ Major | 7 | 2B | 99 BPM | ||
| Aarti Shani Balkar Ki | Anjali Jain | F♯ Minor | 8 | 11A | 102 BPM | ||
| Aao Sab Bhajein Ganpati | Anup Jalota | D♭ Major | 7 | 3B | 147 BPM |