On February 10, 2015, the song "Man, Thanks for Coming" was released by Rudresh Mahanthappa, Adam O'Farrill, Matt Mitchell, Francois Moutin, Rudy Royston. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 14 in Bird Calls (Bonus Track Version) by Rudresh Mahanthappa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Man, Thanks for Coming is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Man, Thanks for Coming by Rudresh Mahanthappa, Adam O'Farrill, Matt Mitchell, Francois Moutin, Rudy Royston is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remembering Mingus at Music Inn | Tom Harrell | D Major | 5 | 10B | 109 BPM | ||
| Liturgy | Michael Gibbs | D♭ Minor | 3 | 12A | 150 BPM | ||
| Festa dos Pássaros/Dois Segundos por Segundo | Grupo Um | D♭ Major | 4 | 3B | 136 BPM | ||
| Pillars | Rasmus Oppenhagen Krogh | D♭ Minor | 1 | 12A | 128 BPM | ||
| Ginger Bread Boy | Ravi Coltrane | E♭ Major | 7 | 5B | 116 BPM | ||
| Mais presque | Hubert Dupont, Chander Sardjoe, Rudresh Mahanthappa, Yvan Robilliard | D♭ Major | 2 | 3B | 102 BPM | ||
| Loon-Ly Solitaire | David Fiuczynski, Rudresh Mahanthappa | G Major | 7 | 9B | 108 BPM | ||
| Nova | Peter Evans, Petter Eldh, Jim Black | F Minor | 3 | 4A | 119 BPM | ||
| Slide Unit | Trombone Ensemble Nabou Claerhout, Nabou Claerhout, Robin Eubanks | D♭ Major | 5 | 3B | 106 BPM | ||
| Ten Nights | Jamie Saft, Steve Swallow, Bobby Previte | F Minor | 6 | 4A | 81 BPM | ||
| Choctaw Alley | Jesse Davis, Lewis Nash | D♭ Major | 4 | 3B | 136 BPM | ||
| He Died Fighting | Brian Blade & The Fellowship Band | A Minor | 3 | 8A | 144 BPM | ||
| My Legs Are Killing Me, But It Hurts So Good | Marty Holoubek, Shun Ishiwaka, 渡辺翔太 | D♭ Major | 2 | 3B | 93 BPM | ||
| Stundens Hetta | Koma Saxo, Petter Eldh | A♭ Major | 3 | 4B | 66 BPM | ||
| El Eco de Un Tambor: 1. Tema | Prism Quartet, Miguel Zenón | A Minor | 0 | 8A | 146 BPM | ||
| Resistance Song | Daniel García Trio | D Minor | 1 | 7A | 106 BPM | ||
| 'Round Midnight | Ravi Coltrane | A♭ Minor | 7 | 1A | 134 BPM | ||
| Some Circles - Evanescence Version | Maria Schneider, Maria Schneider Orchestra, Maria Schneider Jazz Orchestra | A Minor | 1 | 8A | 136 BPM | ||
| Lerner | Mattam Mejía | D♭ Major | 4 | 3B | 136 BPM | ||
| Sorryrow | Tuva Halse | D♭ Major | 4 | 3B | 136 BPM | ||
| Tal Vez Distante | Billy Martin, Matt Glassmeyer, Jonathan Goldberger | D♭ Major | 4 | 3B | 136 BPM | ||
| Soul Ii | ALMA NEGRA | B♭ Minor | 3 | 3A | 107 BPM | ||
| Motherhood | Caelan Cardello | B Major | 0 | 1B | 116 BPM | ||
| Affirmation | Yazz Ahmed | D Major | 6 | 10B | 115 BPM | ||
| Smoke | The Velvet Spiral Quartet | D Major | 6 | 10B | 71 BPM |