Richard Strauss, Franz Hawlata, Sophie Koch, Renée Fleming, Diana Damrau, Andreas Horl, Munich Philharmonic Orchestra, Christian Thielemann's 'Der Rosenkavalier, Op. 59 / Act 3: "Bin glücklich über Massen"' had a release date set for January 1, 2008. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 43 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Der Rosenkavalier, Op. 59 / Act 3: "Bin glücklich über Massen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59 / Act 3: "Bin glücklich über Massen" by Richard Strauss, Franz Hawlata, Sophie Koch, Renée Fleming, Diana Damrau, Andreas Horl, Munich Philharmonic Orchestra, Christian Thielemann having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 106 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 3 | 8B | 102 BPM | ||
| Symphony in D Minor, FWV 48 (Remastered): III. Finale - Allegro non troppo | César Franck, Pierre Monteux, Chicago Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
| Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim | B Minor | 1 | 10A | 109 BPM | ||
| Elektra: Xxvii. Ob ich nicht höre? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | E Major | 4 | 12B | 89 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Pavane pour une infante défunte, M. 19 | Maurice Ravel, Seong-Jin Cho | E Minor | 0 | 9A | 66 BPM | ||
| Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 1 | 9B | 66 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Elektra: Vi. Was heulst du? | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | E Major | 4 | 12B | 89 BPM | ||
| Elektra: Xii. Was sagen sie ihr denn? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | B Major | 3 | 1B | 136 BPM | ||
| Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
| Ariadne auf Naxos, Op. 60 / Opera: Ein Schönes war: hiess Theseus - Ariadne | Richard Strauss, Deborah Voigt, Eva Kirchner, Natalie Dessay, Christiane Hossfeld, Andris Liepa, Stephan Genz, Ian Thompson, Sami Luttinen, Staatskapelle Dresden, Giuseppe Sinopoli | F Minor | 1 | 4A | 84 BPM | ||
| Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | D Major | 1 | 10B | 105 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): II. Adagio | Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa | A♭ Major | 0 | 4B | 80 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM |