Ricardo Castro, Lula Barbosa's 'Ternura' had a release date set for December 19, 2013. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ricardo Castro, Lula Barbosa's "Mar de Espanha" album is number 2 out of 18. On top of that, United States appears to be the country where this track was created. The popularity of Ternura is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ternura by Ricardo Castro, Lula Barbosa to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Souvenir d'un lieu cher, Op. 42, TH 116: No. 3, Mélodie. Moderato con moto (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | E♭ Major | 1 | 5B | 89 BPM | ||
| 12 Danzas españolas, Op. 37: 6. Rondalla aragonesa - Jota | Enrique Granados, Alicia de Larrocha | D Major | 1 | 10B | 128 BPM | ||
| Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM | ||
| Das Jahr, 12 Characterstucke: No. 10, October | Fanny Mendelssohn, Els Biesemans | A Minor | 2 | 8A | 96 BPM | ||
| La Favorita: Grand Morceau De Concert on Themes (Arr. By Ascher, Op. 74) - Duo-Art 72479 | Gaetano Donizetti, Peter Phillips, Genevieve Pitot | A Major | 2 | 11B | 91 BPM | ||
| Triakontameron: No. 11, Alt Wien | Leopold Godowsky, Emanuele Delucchi | F♯ Major | 0 | 2B | 107 BPM | ||
| The Nutcracker, Op. 71, TH 14: No. 13, Valse des fleurs (Arr. V. Gryaznov for Piano) | Pyotr Ilyich Tchaikovsky, Vyacheslav Gryaznov | B♭ Major | 2 | 6B | 116 BPM | ||
| 3 Romances, Op. 21: No. 1 in A Minor | Clara Schumann, Jean-Pierre Armengaud | D Minor | 0 | 7A | 76 BPM | ||
| Mélodie in A-Flat Major | Louise Farrenc, Joanne Polk | A♭ Major | 1 | 4B | 68 BPM | ||
| Une Tabatiere a Musique. Op. 32 (Musical Snuffbox) - Duo-Art 67319 | Anatoly Lyadov, Ethel Leginska, Peter Phillips | A Major | 2 | 11B | 82 BPM | ||
| Fantasiestücke, Op. 61: No. 2, Ein Traum | Sergei Bortkiewicz, Bortkiewicz, Sergei, Zhenni Li-Cohen | F♯ Minor | 0 | 11A | 76 BPM | ||
| L'art de Délier Les Doigts, Op. 740.: Pour Passer Le Pouce | Carl Czerny, Jean-Frédéric Neuburger | G Major | 2 | 9B | 59 BPM | ||
| Prélude, Op. 57 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 0 | 3B | 88 BPM | ||
| Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
| 3 Canciones mexicanas: II. La barca del marino | Manuel Ponce, Jorge Federico Osorio | A♭ Major | 0 | 4B | 134 BPM | ||
| Suite No. 1, Op. 15: II. Valse | Anton Arensky, Lucas Jussen, Arthur Jussen | C Major | 1 | 8B | 89 BPM | ||
| 8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | ||
| A La Manière De Borodin | Maurice Ravel, Sigurd Slåttebrekk | G Major | 0 | 9B | 70 BPM | ||
| Sonata in E Major, Op. 6: I. Allegretto con espressione | Felix Mendelssohn, Frederic Chiu | E Major | 0 | 12B | 183 BPM | ||
| Concierto para Violoncello y Orquesta: III. Vivo - Cantabile - Allegro | Ricardo Castro, Vladimir Sagaydo, José Miramontes Zapata, Orquesta Sinfónica de San Luis Potosí | F Major | 2 | 7B | 84 BPM | ||
| Etude, Op. 37 in F Major - Duo-Art 5860 | Anatoly Lyadov, Peter Phillips, Josef Martin | E♭ Major | 1 | 5B | 80 BPM | ||
| Meláncolique | Ricardo Castro, Józef Olechowski | G Major | 1 | 9B | 102 BPM | ||
| 12 Songs, Op. 21: No. 7, How Fair Is This Place (Transcr. I. Mikhnovsky for Piano) | Sergei Rachmaninoff, Julia Severus | D Major | 2 | 10B | 121 BPM | ||
| Piano Pieces after Original Songs, Vol. II, Op. 52: 2. The First Meeting | Edvard Grieg, Gerard Willems | D♭ Major | 1 | 3B | 137 BPM | ||
| Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM |