Sean O'Bryan Smith's ' "Last Call" was released on its scheduled release date, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Tapestry". In this album, this song's track order is #7. Based on our statistics, Last Call's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Last Call by Sean O'Bryan Smith having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oceanside Highway | Keith Fiala, Billy Denk, Sean O'Bryan Smith | D♭ Major | 4 | 3B | 106 BPM | ||
| Chill Emotion | Chillhop Guitar | F♯ Minor | 4 | 11A | 150 BPM | ||
| Atmosphere Jazz - Late Night Cut | DJ Maretimo, Jazz James Jr. | A Minor | 5 | 8A | 140 BPM | ||
| Sanación y Reflexión (Healing and Reflection) | Matthew Shell | E♭ Major | 3 | 5B | 160 BPM | ||
| Sidewalking | Lighthouse | E Major | 5 | 12B | 170 BPM | ||
| Salty Tears | Tom Hall, Peter Zemotions | D♭ Major | 2 | 3B | 154 BPM | ||
| Cool Down Overture | Brannan Lane, John Gregorius, Sean O'Bryan Smith | B♭ Major | 1 | 6B | 71 BPM | ||
| The Search | Sean O'Bryan Smith, Brannan Lane, Cheryl Pyle | B♭ Major | 3 | 6B | 170 BPM | ||
| Stride of the Curly Tails | Sean O'Bryan Smith | A Minor | 0 | 8A | 144 BPM | ||
| Little Deschutes | Evenfall | C Major | 2 | 8B | 120 BPM | ||
| Veil | Luminovaa | A♭ Major | 2 | 4B | 170 BPM | ||
| Fire in the Wind | Ivory Punch, Sean O'Bryan Smith | A♭ Major | 9 | 4B | 139 BPM | ||
| Sunlight in My Mind | Thierry David | D Minor | 2 | 7A | 97 BPM | ||
| War of Money | Sound Ripples, Jhon Mitchell | B♭ Major | 2 | 6B | 91 BPM | ||
| Amber Reflections | Midori Misaki Trio | G Minor | 0 | 6A | 60 BPM | ||
| Greetings from a Dark Time | Tom Caufield | D Minor | 1 | 7A | 76 BPM | ||
| Isla del Paraiso | Sean O'Bryan Smith, John Gregorius, John Fluker | E Major | 0 | 12B | 112 BPM | ||
| Notes and Stars | Sound Ripples | F Minor | 2 | 4A | 100 BPM | ||
| Memories of the Snow | Christopher Caouette, Lindsay Schoolcraft, Sean O'Bryan Smith | D Major | 5 | 10B | 139 BPM | ||
| Savannah Spirit | Slow Savannah | G Major | 4 | 9B | 121 BPM | ||
| Lucid Marina | Blue Horizon Club | G Minor | 8 | 6A | 109 BPM | ||
| Chosen | Sean O'Bryan Smith, Keith Medley | A Major | 1 | 11B | 57 BPM | ||
| Eighteen | Jimmymusic | G Major | 4 | 9B | 121 BPM | ||
| Abstract Rhythm Sessions | Lorin Bradd | G Major | 4 | 9B | 121 BPM | ||
| Along the Peninsula | Brannan Lane, John Gregorius, Sean O'Bryan Smith | C Minor | 3 | 5A | 144 BPM |