On December 5, 2022, the song "Kaanch Ko Bangalo" was released by Rekha Rao, Rekha Raj. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Rekha Raj's "Ghoomar (Vol. 3)" album is number 1 out of 28. On top of that, South Africa appears to be the country where this track was created. Based on our statistics, Kaanch Ko Bangalo's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kaanch Ko Bangalo by Rekha Rao, Rekha Raj to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khamma Khamma Ho Rama | Gopal Bajaj | F♯ Major | 6 | 2B | 91 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM | ||
| Man Ka Meet | Sheetal Pandey | D♭ Major | 7 | 3B | 77 BPM | ||
| Rang Rasiya Man Basiya | Rekha Rao, Parmeshwar Premi | B Major | 8 | 1B | 100 BPM | ||
| Uchieya Machaila Walie Maa | Naveen Punjabi | D♭ Major | 8 | 3B | 102 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Jhini Jhini Odhni Me Baras Gyi | Seema Mishra, Mukesh Bagda | A♭ Major | 5 | 4B | 86 BPM | ||
| Sarkar Vrindavan Mein Bula Kyun Nahi Letin | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Saanso Ki Mala Pe Simru Me Sitaram | Ashok Bhayani | E Major | 8 | 12B | 86 BPM | ||
| Nainan Me Shyam Samaye Gayo | Manoj Sharma Gwalior | A Major | 8 | 11B | 136 BPM | ||
| Nain Tere Maa Naina Devi | Karnail Rana | B♭ Minor | 9 | 3A | 140 BPM | ||
| Main Barsane Ki Chhori | Ramdhan Gujjar, Bhawana | D♭ Minor | 9 | 12A | 128 BPM | ||
| Holi Mein Maje Karaa Dun | Rakesh Kala, Rekha Rao | D♭ Major | 8 | 3B | 106 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| O Dakor Na Thakor | Master Rana | B♭ Major | 6 | 6B | 114 BPM | ||
| Mandirva Mein Betwa Tohar | MANOJ TIWARI, Rekha Rao | D Major | 6 | 10B | 89 BPM | ||
| Vrishbhanu Ki Dulari Badi Pyari | Sadhvi Purnima Ji | E Minor | 9 | 9A | 115 BPM | ||
| Sakarkand Sakarkand | Sumit Baba, Rekha Rao | A Major | 6 | 11B | 85 BPM | ||
| Zari Ki Pagdi Bandhe Sundar Ankho Wala | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 88 BPM | ||
| Ek Baar Toh Radha Bankar Dekho Mere Sawariya | Tripti Shakya, Arvind R Singh | F♯ Minor | 6 | 11A | 151 BPM | ||
| Teri Mand Mand Muskaniya Pe Balihar Sanware | Krishna Goswami Ji Maharaj | D♭ Minor | 7 | 12A | 106 BPM | ||
| Murli Bajaiyo Aa Gyo | Chotu Singh Rawna, Neeta Nayak | B Minor | 10 | 10A | 116 BPM | ||
| Mhara Mahakal Sarkar Jine Khamma Re Khamma 2.0 | Nitin Bagwan | A♭ Major | 8 | 4B | 108 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM |