"Contempt Farewell" by Patrick Doyle had its release date on May 4, 1993. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Much Ado About Nothing - Original Motion Picture Soundtrack" album is number 13 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, Contempt Farewell is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Contempt Farewell by Patrick Doyle to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bond Street Airs | Adrian Johnston | B Minor | 3 | 10A | 93 BPM | ||
| End Title Overture / The Greatest Game Ever Played - Score | Brian Tyler | C Major | 3 | 8B | 119 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Lucille's Theme | Maurizio Malagnini | E Major | 1 | 12B | 132 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Violet | The Chamber Orchestra Of London | A Minor | 1 | 8A | 84 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM | ||
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM | ||
| Austenland Symphony: I. Sonata | Ilan Eshkeri | C Major | 2 | 8B | 89 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| Intermission* - Instrumental | André Previn | G Major | 1 | 9B | 54 BPM | ||
| Morning On Boston Common | Randy Edelman | E♭ Major | 4 | 5B | 80 BPM | ||
| Under Milk Wood Overture: I. Under Milk Wood (Main Theme) | George Martin, Berlin Music Ensemble, Craig Leon | E Major | 1 | 12B | 87 BPM | ||
| Dumbledore's Army | Nicholas Hooper | G Major | 1 | 9B | 80 BPM | ||
| Excellent Notion | Patrick Doyle | E Minor | 1 | 9A | 115 BPM | ||
| Mrs. Doubtfire | Howard Shore | G Major | 2 | 9B | 97 BPM | ||
| Jemima Puddle Duck | Nigel Westlake | A Major | 0 | 11B | 88 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Wilde (From "Wilde") | Debbie Wiseman, The Orchestra of the Guildhall School | A Minor | 1 | 8A | 77 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | C Major | 2 | 8B | 87 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM |