"Amar Gaaner Swaralipi Lekha Rabe" by Hemant Kumar had its release date on December 1, 1960. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 15 in Chayanika - Hemanta Mukherjee by Hemant Kumar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Amar Gaaner Swaralipi Lekha Rabe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amar Gaaner Swaralipi Lekha Rabe by Hemant Kumar is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Badolo Diner | Hemanta Mukhopadhyay | B Major | 4 | 1B | 128 BPM | ||
| Balo Ki Achhe Go | R. D. Burman | B♭ Major | 4 | 6B | 109 BPM | ||
| Tomar Pujar Chhale | Debabrata Biswas | F♯ Minor | 0 | 11A | 98 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Ki Hobe Aar Purono Diner Katha | R. D. Burman | G Major | 4 | 9B | 111 BPM | ||
| Besh Korechi Ami Preme Porechi | Abhijeet, Purnima | F♯ Minor | 9 | 11A | 103 BPM | ||
| Andhe-ki-laathitu Hi Hai | K. L. Saigal | F♯ Major | 3 | 2B | 102 BPM | ||
| Door Door Se Kya Gata Hai | Bela Mukherjee, Ravi, Hemant Kumar | D Major | 5 | 10B | 84 BPM | ||
| Ami - Takdum Takdum Bajai | S. D. Burman | D♭ Major | 4 | 3B | 60 BPM | ||
| Surer Guru Sree Anukul | Sdipto Sekhar Mishra | F♯ Minor | 4 | 11A | 141 BPM | ||
| Tomari Pathpane Chahi | Shyamal Mitra | F Major | 4 | 7B | 104 BPM | ||
| Ami Keno Je Biday Niyechhi | Pannalal Bhattacharya | E Major | 2 | 12B | 79 BPM | ||
| Ore Smarannadir Pare | Arundhati Holme Chowdhury, Salil Chowdhury | B♭ Major | 4 | 6B | 118 BPM | ||
| Mon Keno Mayer Charanchhara | Dhananjay Bhattacharya | A♭ Major | 5 | 4B | 87 BPM | ||
| Kaandale Tumi More | Indrani Sen | B Minor | 4 | 10A | 120 BPM | ||
| Amar Buker Moddhe Khane, Pt. 2 | Andrew Kishore | B♭ Minor | 6 | 3A | 78 BPM | ||
| Tumhi Mere Meet Ho | Suman Kalyanpur, Hemant Kumar, Kalyanji-Anandji | F♯ Major | 6 | 2B | 132 BPM | ||
| Kajal Nadir Jale | Tarun Banerjee | C Minor | 4 | 5A | 86 BPM | ||
| Ogo Nararupi Bhagaban | Sandhya Mukherjee | F Minor | 3 | 4A | 137 BPM | ||
| Mayaboti Meghe Elo Tandra | Sandhya Mukherjee | D Major | 5 | 10B | 160 BPM | ||
| O Dayal Bichar Karo | Akhil Bandhu Ghosh | E♭ Major | 4 | 5B | 159 BPM | ||
| Megh Kalo Andhar Kalo | Hemant Kumar, Nachiketa Ghosh | D Major | 2 | 10B | 130 BPM | ||
| Jakhon Porbe Na Mor Payer Chinha | Hemant Kumar | F Minor | 2 | 4A | 130 BPM | ||
| Natun Purush Natun Purush | Bhupen Hazarika, Jayanta Hazarika | A Major | 3 | 11B | 146 BPM | ||
| E To Raag Noy Go E Je Abhiman | Manna Dey | D Major | 3 | 10B | 71 BPM |