Roland Marais, Petr Wagner, Ensemble Tourbillon's ' "Pieces de Viole, Book 2, Suite No. 1: VIII. Menuet I-II" was released on its scheduled release date, February 1, 2011. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Pieces de Viole, Book 2, Suite No. 1: VIII. Menuet I-II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 16 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pieces de Viole, Book 2, Suite No. 1: VIII. Menuet I-II is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 1: VIII. Menuet I-II by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Danze da Nuova e curiosa scuola de' balli teatrali (Arr. for Duo and Trio by T. Langlois de Swarte & O. Fourés): Micarena | Gregorio Lambranzi, Théotime Langlois de Swarte, Le Consort | F♯ Major | 0 | 2B | 62 BPM | ||
| Sonate da camera a tre, Op. 2 No. 1 in D Major: III. Coreente | Arcangelo Corelli, Purcell Quartet, Catherine Mackintosh, Elizabeth Wallfisch, Richard Boothby, Robert Woolley, Jakob Lindberg | C Major | 1 | 8B | 101 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: III. Adagio piano | Dietrich Becker, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D♭ Major | 1 | 3B | 165 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act I: The Triumphing Dance | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 0 | 11A | 172 BPM | ||
| Pieces de Viole, Book 2, Suite No. 3: VI. Petite Gavotte en Rondeau La Lisette | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| Sonata a tromba in D Major, TWV 44:1: III. Vivace | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich | D♭ Major | 3 | 3B | 141 BPM | ||
| Dowland: Lachrimae, or Seven Tears: No. 10, Semper Dowland, semper dolens, P. 9 | John Dowland, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 130 BPM | ||
| Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
| Concert XLI: Le retour - Le retour | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Major | 0 | 3B | 80 BPM | ||
| Quatrième suite in A Minor: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 1 | 1A | 86 BPM | ||
| Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Sonate in A Minor: I. Preludio | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Minor | 4 | 1A | 134 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| Lachrimæ Veræ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 90 BPM | ||
| Divine lodi musicali, Book 3: No. 39, Sonata à 4 | Giovanni Battista Riccio, Ecco la musica | B♭ Minor | 0 | 3A | 97 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Messa a quattro voci et salmi concertati: No. 4, Confitebor tibi, Domine, SV 193 | Claudio Monteverdi, Gerlinde Sämann, Ecco la musica | D Major | 1 | 10B | 102 BPM | ||
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| Sonata a tromba in D Major, TWV 44:1: II. Largo | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Edi Kotlyar, Clemens-Maria Nuszbaumer, Katharina Litschig | D♭ Minor | 0 | 12A | 97 BPM | ||
| Concerto in E Minor for Violin, Flute and Strings, TWV 52:E3: II. Adagio | Georg Philipp Telemann, Florilegium, Ashley Solomon, Rachel Podger | D♭ Major | 0 | 3B | 106 BPM | ||
| Sonata & Suite in B-Dur, BuxWV 273: Sonata & Suite in B-Dur, BuxWV 273: II. Adagio-Allegro-Poco adagio-Allegro | Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | A Major | 2 | 11B | 100 BPM |