On January 1, 1985, the song "Mandolin Concerto in C Major, RV 425: II. Largo" was released by Antonio Vivaldi, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Mandolin Concerto in C Major, RV 425: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Guitar Concertos by Antonio Vivaldi, Los Romeros, Academy of St. Martin in the Fields, Iona Brown. The song's track number on the album is #11 out of 15 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Mandolin Concerto in C Major, RV 425: II. Largo is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Mandolin Concerto in C Major, RV 425: II. Largo by Antonio Vivaldi, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Mandolin Concerto in C Major, RV 425: II. Largo being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arpeggione Sonata in A Minor, D. 821 (Arr. J. Williams for Guitar and Orchestra): II. Adagio | Franz Schubert, John C. Williams, Richard Tognetti, Australian Chamber Orchestra | B Major | 0 | 1B | 51 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 134 BPM | ||
| De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: III. Courante | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 83 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | ||
| Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | G Minor | 2 | 6A | 63 BPM | ||
| Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | ||
| Fantasia | Celedonio Romero, Pepe Romero | D Major | 1 | 10B | 127 BPM | ||
| Concerto for Recorder, Oboe and 2 Violins in C Major, RV 87: III. Allegro assai | Antonio Vivaldi, László Kecskeméti, László Hadady, Attila Falvay, Katalin Parkanyi, Gyorgy Kertesz, Borbála Dobozy | C Major | 2 | 8B | 175 BPM | ||
| Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
| 2 Nocturnos, Op. 11: No. 1 - Arr. for Guitar by Gerard Cousins | José Ferrer, Gerard Cousins | F Minor | 0 | 4A | 98 BPM | ||
| Escenas Poeticas, Book 1 (arr. P. Breiner for guitar and orchestra): Eva y Walter | Peter Breiner, Enrique Granados, Norbert Kraft, Razumovsky Sinfonia | C Major | 0 | 8B | 34 BPM | ||
| Violin Concerto In E Minor, Op. 11, No. 2, RV 277, Il Favorito: III. Allegro | L'Arte dell' Arco, Giovanni Guglielmo, Antonio Vivaldi | E Minor | 2 | 9A | 142 BPM | ||
| Tres Preludios: Romantico | Celedonio Romero, Pepe Romero | D Major | 0 | 10B | 113 BPM | ||
| Suite - Arranged by Göran Söllscher: 2. Courante | Johann Anton Logy, Göran Söllscher | B♭ Major | 2 | 6B | 164 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
| Anonymous: Jane Pickering's Lute Book: No. 16, La Rossignol Almain | Anonymous, Turibio Santos, Óscar Cáceres | D Minor | 2 | 7A | 106 BPM | ||
| Fantasía para un gentilhombre for Guitar and Small Orchestra: 4. Canario (Allegro ma non troppo) | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 83 BPM | ||
| Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Barrios Mangoré: Un sueño en la floresta | Agustín Barrios Mangoré, Thibaut García | G Major | 2 | 9B | 73 BPM | ||
| Harp Concerto in B flat, Op.4, No.6, HWV 294: 1. Andante allegro | George Frideric Handel, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | F Major | 2 | 7B | 101 BPM | ||
| Suite - Arranged by Göran Söllscher: 1. Allemande | Johann Anton Logy, Göran Söllscher | B♭ Major | 0 | 6B | 109 BPM | ||
| The Arts and the Hours (Arr. for Guitar by Michael Lewin) | Jean-Philippe Rameau, Miloš Karadaglić | C Major | 1 | 8B | 108 BPM | ||
| Sonata in D Minor, K. 32 (Arr. for Guitar by Michael Lewin) | Domenico Scarlatti, Miloš Karadaglić | E Minor | 0 | 9A | 110 BPM | ||
| Granados: 12 Danzas españolas: No. 5, Andaluza | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM |