Moe Bandy's ' "That's What Makes The Juke Box Play" was released on its scheduled release date, November 26, 2012. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. That's What Makes The Juke Box Play's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Volume 6 - That's What Makes The Juke Box Play by Moe Bandy. The song's track number on the album is #1 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, That's What Makes The Juke Box Play is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since That's What Makes The Juke Box Play by Moe Bandy has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With That's What Makes The Juke Box Play being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shadows of My Mind | Vernon Oxford | E Major | 4 | 12B | 123 BPM | ||
| She Sings Amazing Grace | Gary Stewart | D Major | 5 | 10B | 107 BPM | ||
| I'm Gonna Leave You Tomorrow | John Schneider | G Major | 2 | 9B | 97 BPM | ||
| There's Still a Lot of Love in San Antone | Darrell McCall | D Major | 4 | 10B | 125 BPM | ||
| Somewhere There's a Woman | Moe Bandy | D Major | 4 | 10B | 121 BPM | ||
| The Door Is Always Open | Dave and Sugar | F Major | 5 | 7B | 188 BPM | ||
| That's When My Woman Begins | Tommy Overstreet | G Major | 3 | 9B | 127 BPM | ||
| Holding The Bag | Moe Bandy, Joe Stampley | G Major | 6 | 9B | 127 BPM | ||
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| If I Had To Do It All Over Again | Roy Clark | G Major | 6 | 9B | 102 BPM | ||
| There Stands The Glass -- Re-recording | Johnny Bush | C Major | 4 | 8B | 127 BPM | ||
| Angeline | Ed Bruce | E Major | 5 | 12B | 88 BPM | ||
| Whiskey Chasin' | Joe Stampley | A♭ Major | 4 | 4B | 96 BPM | ||
| Too Much On My Heart | The Statler Brothers | F♯ Major | 2 | 2B | 78 BPM | ||
| Teddy Bear Song | Barbara Fairchild | F Major | 4 | 7B | 104 BPM | ||
| Under Your Spell Again | Tony Booth | F♯ Major | 5 | 2B | 141 BPM | ||
| Anymore | Roy Drusky | E Major | 4 | 12B | 129 BPM | ||
| You're the Best Break This Old Heart Ever Had | Ed Bruce | E Major | 4 | 12B | 83 BPM | ||
| You Make Me Feel More Like A Man | MEL STREET | F♯ Major | 5 | 2B | 93 BPM | ||
| Broken Down In Tiny Pieces | Billy 'Crash' Craddock | D♭ Major | 3 | 3B | 145 BPM | ||
| I'm Thinking Tonight Of My Blue Eyes | David Frizzell | D Major | 4 | 10B | 108 BPM | ||
| In the Middle of a Memory | Carl Belew | D Major | 4 | 10B | 106 BPM | ||
| Wanting You But Never Having You | Jack Greene | G Major | 2 | 9B | 115 BPM | ||
| You're Out Doing What I'm Here Doing Without | Gene Watson, The Farewell Party Band | E♭ Major | 3 | 5B | 88 BPM | ||
| I Still Can't Believe You're Gone | Gary Stewart | G Major | 2 | 9B | 88 BPM |