Passage to the Afterlife (feat. Jan Abadier)
Michael Levy, Remon Sakr, Jan Abadier
Ancient Egyptian Magic
3:13 February 16, 2019
BPM
148
Key
F Major
Camelot
7B

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Passage to the Afterlife (feat. Jan Abadier) by Michael Levy, Remon Sakr, Jan Abadier Song Details

Michael Levy, Remon Sakr, Jan Abadier's 'Passage to the Afterlife (feat. Jan Abadier)' had a release date set for February 16, 2019. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 3 in Ancient Egyptian Magic by Michael Levy, Remon Sakr. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Passage to the Afterlife (feat. Jan Abadier)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

The tempo marking of Passage to the Afterlife (feat. Jan Abadier) by Michael Levy, Remon Sakr, Jan Abadier is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-19.287 dB
Acousticness
41%
Danceability
63%
Energy
33%
Instrumentalness
90%
Liveness
14%
Loudness
68%
Speechiness
3%
Valence
22%

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ISRC
uscgh1989598
Label
L-M Records/RCA Records