Nick Lloyd Webber's ' "An Unexpected Encounter" was released on its scheduled release date, May 13, 2022. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Last Bus (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. An Unexpected Encounter is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With An Unexpected Encounter by Nick Lloyd Webber having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The End of Childhood (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | C Minor | 0 | 5A | 0 BPM | ||
| III. Sequence (Eight) | Peter Gregson, Richard Harwood, Warren Zielinski, Ben Hancox, James Boyd | B♭ Minor | 1 | 3A | 62 BPM | ||
| Safe Return | Rob Simonsen | E♭ Minor | 3 | 2A | 77 BPM | ||
| The Power of the Sun | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| Cluster - Edit | Peter Gregson, Warren Zielinski, Magnus Johnston, Matthew Denton, Richard Blayden, Tom Pigott-Smith, Bryan Senti, James Boyd, Eoin Schmidt-Martin, Meghan Cassidy, Stephanie Edmundson, Richard Harwood, Reinoud Ford, Ben Chappell, Tim Lowe, Laurence Ungless | E Minor | 2 | 9A | 74 BPM | ||
| Lúthien Tinúviel | Thomas Newman | E♭ Major | 0 | 5B | 75 BPM | ||
| Electricity | Arthur Sharpe | F♯ Major | 2 | 2B | 87 BPM | ||
| Evolution Undone | Steven Price | G Minor | 3 | 6A | 82 BPM | ||
| Midnight Storm | Rob Simonsen | B♭ Major | 3 | 6B | 85 BPM | ||
| I Love You Tom | Nick Lloyd Webber | A Major | 5 | 11B | 70 BPM | ||
| Serenity | Simon Folwar | A♭ Minor | 3 | 1A | 176 BPM | ||
| Bellie and Bomman | Sven Faulconer | E♭ Major | 1 | 5B | 110 BPM | ||
| Brotherhood - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | C Minor | 1 | 5A | 83 BPM | ||
| Finch | Gustavo Santaolalla | G Major | 0 | 9B | 142 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| Robert's Daughters | Atli Örvarsson | G Minor | 1 | 6A | 97 BPM | ||
| Forest | SIE Sound Team, Takeshi Furukawa | G Major | 1 | 9B | 68 BPM | ||
| Rosary | Anne Nikitin | A Minor | 2 | 8A | 70 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| The Great Longing of an Unquiet Heart | Luke Howard, Budapest Art Orchestra | D♭ Major | 5 | 3B | 120 BPM | ||
| Romance Begins | Anne Nikitin | A Minor | 1 | 8A | 87 BPM | ||
| The Lily - Orchestral Version | Gabríel Ólafs | E Major | 0 | 12B | 61 BPM | ||
| Life Was Just Beginning | Marcelo Zarvos | D Major | 1 | 10B | 144 BPM | ||
| The Globe Newsroom | Howard Shore | G Major | 0 | 9B | 106 BPM | ||
| I Was So Sad the Day I Met You | Keegan DeWitt, Lisa Liu, The Unison Orchestra | A♭ Minor | 2 | 1A | 72 BPM |