"The Man That Got Away" by Julie London had its release date on 1963. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Julie London's "Love On The Rocks" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Man That Got Away's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Man That Got Away by Julie London to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wrap Your Troubles In Dreams | Sue Raney | A Minor | 2 | 8A | 101 BPM | ||
| Nevertheless (I'm In Love With You) - 1958 version | The Mills Brothers | C Major | 1 | 8B | 79 BPM | ||
| Moonlight Serenade | Ella Fitzgerald | D Minor | 2 | 7A | 68 BPM | ||
| Somebody | Dorothy Dandridge | D♭ Major | 2 | 3B | 88 BPM | ||
| When Your Lover Has Gone | Sue Raney | D♭ Major | 3 | 3B | 120 BPM | ||
| You And The Night And The Music | Julie London | E♭ Minor | 2 | 2A | 63 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| They Can't Take That Away From Me | Mael Tormé, The Marty Paich Dek-tette | E♭ Major | 2 | 5B | 132 BPM | ||
| Don't Take Your Love From Me | Catherine Russell | A♭ Major | 1 | 4B | 184 BPM | ||
| I've Heard That Song Before | Harry James | F Major | 4 | 7B | 126 BPM | ||
| It Might As Well Be Spring | Blossom Dearie | F♯ Major | 0 | 2B | 117 BPM | ||
| They Didn't Believe Me | Johnny Hartman | C Major | 2 | 8B | 71 BPM | ||
| How Insensitive | Stacey Kent, Jim Tomlinson, Graham Harvey, Matt Home, Jeremy Brown | E Major | 1 | 12B | 108 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| Blue Moon | Julie London | B Minor | 0 | 10A | 91 BPM | ||
| I've Got You Under My Skin | Julie London, Bud Shank Quintet | G Major | 3 | 9B | 170 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM | ||
| Moody's Mood for Love | King Pleasure | A Minor | 2 | 8A | 105 BPM | ||
| Wrap Your Troubles in Dreams | Ernestine Anderson | F Minor | 3 | 4A | 125 BPM | ||
| You Go To My Head | Billie Holiday | A♭ Major | 1 | 4B | 68 BPM | ||
| Can't Help Lovin' That Man | Julie London | F♯ Major | 0 | 2B | 83 BPM | ||
| My Gentleman Friend | Etta Jones | G Minor | 3 | 6A | 111 BPM | ||
| A Nightingale Sang In Berkeley Square | Mel Tormé, Wally Stott & His Orchestra | F Minor | 1 | 4A | 79 BPM |