Cole Swindell's ' "Left To Get Right" was released on its scheduled release date, June 27, 2025. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Spanish Moss". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Left To Get Right's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Left To Get Right by Cole Swindell having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Backup Plan (feat. Luke Combs) | Bailey Zimmerman, Luke Combs | F♯ Major | 6 | 2B | 80 BPM | ||
| Don't Leave - Jolene Remix | Chase Matthew | B Major | 7 | 1B | 111 BPM | ||
| Circa 1943 | Chase Rice | B Minor | 8 | 10A | 165 BPM | ||
| Sorryville | Dylan Marlowe | B♭ Minor | 6 | 3A | 95 BPM | ||
| Thank Me for That | Tyler Braden | C Major | 9 | 8B | 131 BPM | ||
| Lost Heart | Cole Swindell | D Major | 5 | 10B | 128 BPM | ||
| Use Some Carolina | Wesko | G Major | 7 | 9B | 83 BPM | ||
| We Can Always Move On (feat. Priscilla Block) | Cole Swindell, Priscilla Block | A Major | 7 | 11B | 119 BPM | ||
| Summer On Your Lips | Conner Smith | D Major | 7 | 10B | 100 BPM | ||
| Girl Goin' Through It | Payton Smith | G Major | 7 | 9B | 140 BPM | ||
| Can't Buy Time | Chris Lane | C Major | 2 | 8B | 138 BPM | ||
| Lost (feat. The Kid LAROI) | Bailey Zimmerman, The Kid LAROI | E Minor | 5 | 9A | 131 BPM | ||
| Me & A Beer | Chris Janson | F♯ Major | 7 | 2B | 90 BPM | ||
| This Ain't You Leaving | Tayler Holder | B Minor | 9 | 10A | 136 BPM | ||
| Quit Bein' Country | Tyler Farr | D♭ Major | 8 | 3B | 142 BPM | ||
| Turn This Truck Around | Jordan Davis | E Major | 5 | 12B | 75 BPM | ||
| Number 3 and Number 7 (feat. Eric Church) | Morgan Wallen, Eric Church | A Major | 7 | 11B | 136 BPM | ||
| Cowboys & Dreamers | Brett Kissel | B Minor | 9 | 10A | 165 BPM | ||
| How Do You Miss Me (feat. Alexandra Kay) | Dallas Smith, Alexandra Kay | D♭ Major | 9 | 3B | 164 BPM | ||
| What I’m For | Chris Janson | B♭ Major | 8 | 6B | 124 BPM | ||
| Hometown Home | LOCASH | C Major | 9 | 8B | 142 BPM | ||
| Stuck In The Sticks | Austin Snell | B♭ Minor | 9 | 3A | 103 BPM | ||
| Favorite Country Song | HARDY | C Major | 6 | 8B | 148 BPM | ||
| Another One - Neat Mix | Brett Kissel | B Minor | 9 | 10A | 130 BPM | ||
| Drinkin' Hand | Aaron Goodvin | D Major | 7 | 10B | 150 BPM |