Swan Lake, Op. 20, Pt. 1: I. Introduction. Moderato assai by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu Song Details

"Swan Lake, Op. 20, Pt. 1: I. Introduction. Moderato assai" by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu had its release date on 2010. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 108 in the song's album "Tchaikovsky: Complete Ballets". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Swan Lake, Op. 20, Pt. 1: I. Introduction. Moderato assai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Swan Lake, Op. 20, Pt. 1: I. Introduction. Moderato assai by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -21.055 dB
Acousticness: 89%
Danceability: 19%
Energy: 7%
Instrumentalness: 28%
Liveness: 12%
Loudness: 65%
Speechiness: 4%
Valence: 13%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Maskerade-Suite: I. Waltz	Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra	G Major	10	9B	107 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
L'Oiseau de feu, K10: X. Khorovod (Ronde) des princesses	Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä	F Minor	0	4A	68 BPM
Symphony No. 40 in G Minor, K. 550: I. Molto allegro	Wolfgang Amadeus Mozart, Il Pomo D'oro, Maxim Emelyanychev	C Major	1	8B	163 BPM
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5	Johannes Brahms, Budapest Festival Orchestra, Iván Fischer	F♯ Minor	1	11A	107 BPM
Romeo and Juliet Suite No. 1, Op. 64bis: VI. Romeo and Juliet (Balcony Scene)	Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton	F Major	0	7B	79 BPM
Requiem: IIa. Dies irae	Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev	C Minor	4	5A	88 BPM
Romeo and Juliet, Op. 64 - Act 1: The Young Juliet	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	F Major	0	7B	83 BPM
Don Quixote: Act I: Quiteria's Variation	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	B Minor	1	10A	136 BPM
Nr. 3, Pizzicato	Léo Delibes, Slovak Radio Symphony Orchestra, Michael Halasz	E♭ Major	0	5B	161 BPM
Bizet: Carmen: No. 1 Prélude	Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff	D Minor	3	7A	129 BPM
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	C Minor	3	5A	98 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Giselle, Act 1: Giselle's Variation	Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon	E♭ Major	1	5B	88 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Swan Lake, Op. 20: No. 2 Valse	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	A Major	1	11B	96 BPM
Carmen Suite No. 2: 2. Habanera	Georges Bizet, Orchestre de Paris, Semyon Bychkov	D Major	0	10B	134 BPM
The Four Seasons: Concerto No. 4 in F Minor, RV 297 "L'inverno" (winter): I. Allegro non molto	Antonio Vivaldi, Adrian Chandler, La Serenissima	F Minor	2	4A	162 BPM
Masquerade Suite: Romance	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	B♭ Minor	1	3A	176 BPM
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro"	Franz Liszt, Daniil Trifonov	D♭ Major	1	3B	76 BPM
Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato	Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien	A Minor	2	8A	63 BPM
Don Quixote, Act IV: Quiteria's Variation	Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov	A Major	1	11B	102 BPM
The Sleeping Beauty, Op. 66: Act I: Garland Waltz	Pyotr Ilyich Tchaikovsky, Kristjan Järvi, Baltic Sea Philharmonic	F Major	1	7B	113 BPM