"Newest Line" by Astronauts had its release date on May 6, 2016. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 11 in End Codes by Astronauts. In terms of popularity, Newest Line is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Newest Line by Astronauts is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berlin | Solander | E Minor | 4 | 9A | 142 BPM | ||
| Dragonfly | Pumarosa | F♯ Minor | 5 | 11A | 106 BPM | ||
| Lunacy | Rue Royale | D♭ Major | 5 | 3B | 152 BPM | ||
| The Load | Barbarossa | B♭ Minor | 5 | 3A | 157 BPM | ||
| Split Screen | Astronauts | C Major | 7 | 8B | 130 BPM | ||
| Dark Hopes | Barbarossa | C Major | 4 | 8B | 120 BPM | ||
| Under The Graphite Sky | Diagrams | F Major | 3 | 7B | 130 BPM | ||
| Casino | Cascadeur, Eric Pulido, Tim Smith | C Minor | 5 | 5A | 110 BPM | ||
| April | Nick Mulvey | G Minor | 4 | 6A | 81 BPM | ||
| King and Cross | Ásgeir | D♭ Minor | 5 | 12A | 100 BPM | ||
| Hotel | BOY | D Minor | 5 | 7A | 110 BPM | ||
| The Song They Play Every Night | Little Green Cars | E Minor | 5 | 9A | 160 BPM | ||
| Line Of Fire | Junip | D Major | 8 | 10B | 90 BPM | ||
| Decency | Balthazar | E Minor | 4 | 9A | 80 BPM | ||
| Not Dead | Girls In Hawaii | C Major | 5 | 8B | 126 BPM | ||
| So Old | Talisco | C Major | 2 | 8B | 111 BPM | ||
| Barefoot | Pumarosa | F♯ Minor | 6 | 11A | 131 BPM | ||
| The Old and the Young | Midlake | F♯ Minor | 8 | 11A | 123 BPM | ||
| Solace | Fyfe | E Major | 5 | 12B | 125 BPM | ||
| Samara | Blanco White | C Minor | 6 | 5A | 106 BPM | ||
| Loans | Death Machine | F♯ Major | 4 | 2B | 158 BPM | ||
| Bloodline | Barbarossa | C Major | 5 | 8B | 124 BPM | ||
| The Meetings of the Waters | Fionn Regan | B Major | 4 | 1B | 105 BPM | ||
| Pale Light | Dusted | G Minor | 5 | 6A | 172 BPM | ||
| Leave With Me | Warhaus, Sylvie Kreusch | D♭ Major | 3 | 3B | 92 BPM |