Gary Taylor's ' "Will You Come Back" was released on its scheduled release date, January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Take Control". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Will You Come Back's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Will You Come Back by Gary Taylor having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holding On (feat. Marshall Dane, Chris Hall, Michael Fonfara, Arvo Lepp, Jon Czechowski, Gary Taylor) | Keith Holding, Marshall Dane, Chris Hall, Michael Fonfara, Arvo Lepp, Jon Czechowski, Gary Taylor | D Major | 9 | 10B | 126 BPM | ||
| Two Different Lifestyles | Bebe & Cece Winans | B♭ Major | 4 | 6B | 119 BPM | ||
| Eye To Eye | Gary Taylor | D Minor | 8 | 7A | 160 BPM | ||
| You Turn Me Out | Bert Robinson | B♭ Minor | 8 | 3A | 149 BPM | ||
| Life Keeps Moving On | Oleta Adams | D♭ Major | 4 | 3B | 127 BPM | ||
| I'll Take The Whole World On | Ashford & Simpson | D Major | 5 | 10B | 130 BPM | ||
| Give Me My Baby | Sam Salter | A♭ Major | 6 | 4B | 120 BPM | ||
| Lovers After All | Keith Washington | A♭ Minor | 8 | 1A | 146 BPM | ||
| Rise to the Occasion | Jermaine Jackson, La La | A Major | 7 | 11B | 92 BPM | ||
| Wildflower | Lisa Fischer | G Minor | 4 | 6A | 114 BPM | ||
| Damn Thing Called Love | After 7 | F Minor | 8 | 4A | 129 BPM | ||
| Baby Get Yours Tonight | London Jones | B♭ Major | 6 | 6B | 114 BPM | ||
| Body | Chantay Savage | E♭ Minor | 3 | 2A | 78 BPM | ||
| No One to Blame | Anita Baker | G Major | 5 | 9B | 98 BPM | ||
| Come And Walk With Me | Oleta Adams | G Major | 7 | 9B | 128 BPM | ||
| Are You Still in Love with Me | Keith Washington | B Major | 7 | 1B | 142 BPM | ||
| There You Are | Sam Salter | B Minor | 5 | 10A | 138 BPM | ||
| Romancia | James "J.T." Taylor | B Major | 6 | 1B | 86 BPM | ||
| I'll Be There | Bert Robinson | D♭ Major | 6 | 3B | 174 BPM | ||
| So Tender | Lisa Fischer | F♯ Major | 7 | 2B | 102 BPM | ||
| Time's Run Out Of Time (Keith Fiddmont...Sax) | Gary Taylor | D♭ Major | 3 | 3B | 86 BPM | ||
| I'll Never Hurt You Again | Al B. Sure! | E Minor | 3 | 9A | 128 BPM | ||
| It's Gonna Take All Our Love | Gladys Knight & The Pips | C Major | 5 | 8B | 114 BPM | ||
| Sentimental | Alexander O'Neal | A Major | 4 | 11B | 122 BPM | ||
| If You'd Only Believe | Randy Crawford | A♭ Major | 5 | 4B | 76 BPM |