"Connecting the Dots" by Tim Wynn had its release date on May 16, 2025. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 32 in Final Destination: Bloodlines (Original Motion Picture Soundtrack) by Tim Wynn. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Connecting the Dots is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Connecting the Dots by Tim Wynn is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take 'Em Out, Tanya! | Tim Wynn | A♭ Major | 6 | 4B | 115 BPM | ||
| Stellaris Suite: Creation And Beyond (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | D Minor | 3 | 7A | 95 BPM | ||
| The Titan | Andreas Waldetoft | D Minor | 5 | 7A | 180 BPM | ||
| Middle-earth: Shadow of War: Shelob - Reveal Trailer Music - Cover Version | Sofa Sounds | G Major | 6 | 9B | 120 BPM | ||
| NotL:Op (Briefing 2) | Jose Pavli | A Major | 8 | 11B | 104 BPM | ||
| First and Last | Michael McCann | G Major | 9 | 9B | 130 BPM | ||
| Blackbird | Sean Murray | A Major | 5 | 11B | 130 BPM | ||
| Goz | Mai Clayton, MaiMoone | D♭ Major | 10 | 3B | 130 BPM | ||
| Weapons Drawn | Brad Derrick | F Major | 6 | 7B | 94 BPM | ||
| Choose Your Destiny | Deon Van Heerden | A Minor | 9 | 8A | 164 BPM | ||
| Deadline | Hans Zimmer | A Major | 7 | 11B | 93 BPM | ||
| Feydrid's Ghost | J.D. Spears | E Major | 1 | 12B | 86 BPM | ||
| Overture for a New World (Original Game Soundtrack) | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D♭ Major | 1 | 3B | 63 BPM | ||
| The Cove Battle | Stuart Chatwood | D Major | 7 | 10B | 110 BPM | ||
| Title Track | Robot Entertainment | D♭ Major | 4 | 3B | 96 BPM | ||
| Shou Si Ba | Luc St-Pierre | G Major | 9 | 9B | 102 BPM | ||
| Prologue | Cris Velasco, Sascha Dikiciyan | G Major | 2 | 9B | 111 BPM | ||
| Laying Siege to Hammerburg (Noble Houses) | Breakdown Epiphanies | E Minor | 6 | 9A | 90 BPM | ||
| Fire with Fire | Jose Pavli | F Major | 8 | 7B | 130 BPM | ||
| Time Machine | Tim Wynn | G Major | 2 | 9B | 117 BPM | ||
| Total War: Three Kingdoms | Richard Beddow | F Minor | 4 | 4A | 114 BPM | ||
| Final Conflict | Bill Brown | B♭ Minor | 5 | 3A | 75 BPM | ||
| Battle at Sundown | Jamie Christopherson | A♭ Minor | 8 | 1A | 140 BPM | ||
| A Clash of Fang and Flame | Brad Derrick | F Major | 6 | 7B | 112 BPM | ||
| Detroit Marketplace | Michael McCann | B Major | 5 | 1B | 180 BPM |