"Mass in F Minor, Op. 159: I. Kyrie" by Josef Rheinberger, Edgar Krapp, Frankfurter Kantorei, Wolfgang Schäfer had its release date on November 1, 1997. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Rheinberger: Missae et Cantiones (Musica sacra IV)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Mass in F Minor, Op. 159: I. Kyrie is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mass in F Minor, Op. 159: I. Kyrie by Josef Rheinberger, Edgar Krapp, Frankfurter Kantorei, Wolfgang Schäfer having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 136 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| Requiem for the Living: I. Introit and Kyrie | Providence Singers, Christine Noel | F Major | 2 | 7B | 122 BPM | ||
| Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 81 BPM | ||
| Requiem: Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
| Ave Verum, Op. 65, No. 1 | San Francisco Girls Chorus | B♭ Minor | 0 | 3A | 78 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
| Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 88 BPM | ||
| Magnificat in D Major, BWV 243: Suscepit Israel (Soprano, Alto) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | B Minor | 1 | 10A | 67 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father | Pyotr Ilyich Tchaikovsky, Kārlis Rūtentāls, Gundars Dziļums, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 85 BPM | ||
| O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Beati quorum via | Charles Villiers Stanford, The Sixteen, Harry Christophers | A♭ Major | 0 | 4B | 82 BPM | ||
| Mass in A Major, Op. 126: I. Kyrie | Josef Rheinberger, Thomas Berning, Vocalensemble Rastatt, Holger Speck | D Minor | 0 | 7A | 130 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM |