Vaishali Samant's ' "Mala Bai Jayacha Mathura Bajara" was released on its scheduled release date, October 21, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kamlesh Jadhav's "Mathala Gela Tada Vol 2" album is number 10 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Mala Bai Jayacha Mathura Bajara's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mala Bai Jayacha Mathura Bajara by Vaishali Samant to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Email Kaal Internetvar Kela | Janhavi Arora | D Major | 10 | 10B | 144 BPM | ||
| Ganeshgalli Wala Majha Mumbaicha Raja Aala | Dinesh Pawar | F Major | 8 | 7B | 128 BPM | ||
| Ude Ga Ude Ga Ambe | Arvind Mohite | D Major | 9 | 10B | 103 BPM | ||
| Sukh Kalale | Ajay-Atul, Shreya Ghoshal | G Major | 4 | 9B | 140 BPM | ||
| Dholkichya Talavar - Devta / Soundtrack Version | Anuradha Paudwal | F Minor | 7 | 4A | 128 BPM | ||
| Deh Vitthal | Avadhoot Gandhi | D Major | 6 | 10B | 117 BPM | ||
| Mera Dadla | Vaishali Samant | B Major | 7 | 1B | 82 BPM | ||
| Man Mandira Tejane | Shivam Mahadevan | A Major | 4 | 11B | 111 BPM | ||
| Vesavchi Paru Nesali Go | Shrikant Narayan | A♭ Major | 6 | 4B | 86 BPM | ||
| Amhla Jo Koni Nadto To Direct Asto Dhagat | Ajay Gaikwad | G Major | 10 | 9B | 139 BPM | ||
| Chimani | Aasarsh Shinde, Amitraj, Swapnil Joshi, Jayant Wadkar, Piyush Ranade | F♯ Minor | 10 | 11A | 127 BPM | ||
| Kulvadhu | Vaishali Made, Nilesh Moharir | G Major | 6 | 9B | 160 BPM | ||
| Ya Re Ya | Rohan Pradhan, Manoj Yadav, Rohan Rohan | D Major | 6 | 10B | 100 BPM | ||
| Kiti Sangaichay Mala | Pandit Jasraj, Aanandi Joshi | D♭ Major | 4 | 3B | 83 BPM | ||
| Madanmanjiri - From "Phullwanti" | Vaishali Made, Avinash Vishwajeet, Vishwajeet Joshi | B♭ Major | 9 | 6B | 133 BPM | ||
| Aali Thumkat Naar | Adarsh Shinde | F♯ Major | 9 | 2B | 96 BPM | ||
| Paus | Ketaki Mategaonkar | F♯ Major | 7 | 2B | 124 BPM | ||
| Mohini | Shreya Ghoshal, Jasraj Joshi | A Minor | 6 | 8A | 105 BPM | ||
| Tere Nakhare Hai | Avadhoot Gupte | B Minor | 9 | 10A | 94 BPM | ||
| Kaali Bindi | Sanju Rathod, G-SPXRK | A Major | 6 | 11B | 126 BPM | ||
| Hi Poli Saajuk | Chinar Mahesh | A♭ Major | 10 | 4B | 87 BPM | ||
| Hai Zhumka Vali Por | Bhaiya More, Anjana Barlekar | A♭ Major | 2 | 4B | 76 BPM | ||
| Lagliya Godi Tuzi (Kaagar) | Harshavardhan Wavare, Shashaa Tirupati | D♭ Minor | 3 | 12A | 164 BPM | ||
| Olya Sanjveli 2.0 (From "Premachi Goshta 2") | Kaavir, Bela Shende, Avinash Vishwajeet | G Major | 7 | 9B | 120 BPM | ||
| Ka Kalena- Female | Bela Shende | C Major | 7 | 8B | 124 BPM |