Jacinto Guerrero, Nicasio Tejada's ' "La Rosa del Azafrán: Introducción: "Acudid, Muchachas"" was released on its scheduled release date, October 9, 1959. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 14 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Introducción: "Acudid, Muchachas" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Introducción: "Acudid, Muchachas" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Huesped del Sevillano, Acto I: Fiel Espada Triunfadora (Canto a la Espada Toledana) - Remastered | Enrique Reoyo, Juan Ignacio Luca de Tena, Jacinto Guerrero, Marcos Redondo | F Major | 2 | 7B | 163 BPM | ||
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Nicolai Gedda, Aldo Ciccolini | B♭ Major | 2 | 6B | 115 BPM | ||
| El barberillo de Lavapiés, Acto III: Marquesita, Paloma, Don Luis y Lamparilla | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | G Major | 4 | 9B | 106 BPM | ||
| Bellini: I puritani: "Or dove fuggo io mai?" (Riccardo, Bruno) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| El Canastillo de Fresas: "¡Padre Tajo!¡Padre Tajo! Yo te Admiro" | Guillermo y Rafael Fdez.-Shaw, Jacinto Guerrero, Orquesta Sinfonica | C Major | 5 | 8B | 107 BPM | ||
| ¡Cinco Minutos Nada Menos!: "Sueños de Mujer" | José Muñoz Román, Jacinto Guerrero, Gran Orquesta del Teatro Martín de Madrid | C Major | 3 | 8B | 110 BPM | ||
| Bohemios: Coro de Bohemios | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna, Coral Universitaria De La Laguna, Coral "reyes Bartlet" De Puerto De La Cruz | A♭ Major | 4 | 4B | 124 BPM | ||
| Un Hombre Solo | Manuel Alejandro, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| El barberillo de Lavapiés, Acto II: Marquesita y Don Luis | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | A Major | 4 | 11B | 81 BPM | ||
| El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
| Péchés de vieillesse, Vol. 2 "Album français": No. 4, Complainte à 2 voix "Un sou" | Gioachino Rossini, Alessandro Luciano, Vittorio Prato, Alessandro Marangoni | C Major | 3 | 8B | 81 BPM | ||
| La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
| Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
| L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
| Tosti / Arr Schifrin: Around the World Part 7: Marechiare | Francesco Paolo Tosti, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | A♭ Minor | 2 | 1A | 139 BPM | ||
| Hace Tiempo Que Vengo al Taller (Duo Ascension y Joaquin) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | G Major | 3 | 9B | 126 BPM | ||
| La Rosa del Azafrán: La Monda de la Rosa | Jacinto Guerrero, Nicasio Tejada | C Major | 2 | 8B | 85 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Bellini: Norma, Act 1: "Odi?... I suoi riti a compiere" (Flavio, Coro, Pollione) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Franco Corelli, Piero de Palma | E♭ Major | 2 | 5B | 129 BPM | ||
| Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
| La Verbena de la Paloma, Act I: Chanson de Julián (Julián, Rita, Hilarión, Sebastián, Tabernero, Mozos, Portero, Portera, Chœur) | Tomás Bretón, Plácido Domingo, Raquel Pierotti, Rafael Castejon, Jesús Castejón, Alfonso Echeverria, Ramón de Andrés, Martín Grijalba, Juan Jesùs Rodriguez, Luisa Maesso, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid | F Major | 3 | 7B | 129 BPM | ||
| Gounod: Faust, Act 3: "Quel trouble inconnu me pénètre !" - Cavatine. "Salut ! Demeure chaste et pure" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
| Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | F Major | 3 | 7B | 172 BPM | ||
| Bizet: Carmen, Act 2: "Vivat! vivat le Toréro!" (Chorus, Zuñiga) | Georges Bizet, Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 3 | 8B | 114 BPM |