Tony Barnard's 'Concerning Hobbits' had a release date set for October 24, 2019. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Concerning Hobbits's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 16 in Emeralds by Tony Barnard. In terms of popularity, Concerning Hobbits is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerning Hobbits by Tony Barnard is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Words Left Unsaid | Bill Edmonds Trio | B♭ Major | 1 | 6B | 83 BPM | ||
| Tuscan Causeway | Blue Rectangles | C Major | 4 | 8B | 160 BPM | ||
| Amber Wake | Dreamy Dunes | D Minor | 0 | 7A | 134 BPM | ||
| Half-Open Window | Jazz & Co. | C Minor | 1 | 5A | 65 BPM | ||
| Unfinished Wars | León Areíto | A♭ Major | 3 | 4B | 88 BPM | ||
| Burdened Mind | Geneva Mae | C Minor | 1 | 5A | 65 BPM | ||
| Camicia alla finestra | Dolce Vita | E Minor | 3 | 9A | 134 BPM | ||
| Fresco Smithy | Jazzhaus | G Minor | 1 | 6A | 61 BPM | ||
| Vintage Dunes | Mono Noir Jazz | C Minor | 1 | 5A | 141 BPM | ||
| Make Again | Penthouse Bar Jazz | F♯ Major | 1 | 2B | 115 BPM | ||
| One Lamp Remains | The Freesounders | C Minor | 1 | 5A | 65 BPM | ||
| Rush Hour | Ella Blue | C Minor | 1 | 5A | 65 BPM | ||
| You Don’t Know What Love Is (alternate take) | Maarten van der Grinten | F Minor | 1 | 4A | 132 BPM | ||
| Streetlamps Remember Everything | Jazz & Co. | C Minor | 1 | 5A | 65 BPM | ||
| Philae Landing on a Comet | Tony Barnard | E Minor | 3 | 9A | 99 BPM | ||
| Stella By Starlight | Jimmy Bruno | B♭ Major | 1 | 6B | 128 BPM | ||
| Rhapsodic | Tony Barnard, Casey Golden | C Major | 2 | 8B | 80 BPM | ||
| Fallen Thrones | Luna Devera | C Major | 2 | 8B | 112 BPM | ||
| Ensueño De Café | Fernanda Valenzuela | C Minor | 1 | 5A | 65 BPM | ||
| At The Bar | Henry Albert Trio | E♭ Minor | 1 | 2A | 113 BPM | ||
| Barney's Waltz | Howard Alden, Tony Barnard | C Minor | 2 | 5A | 111 BPM | ||
| Shottle Bop | Tony Barnard, Peter Ind, Louis Stewart, Jim Mullen, Dave Cliff, Nils Solberg | E♭ Major | 2 | 5B | 119 BPM | ||
| Left With Quiet | Satini | C Minor | 1 | 5A | 65 BPM | ||
| Just Squeeze Me | Peter Ind, Ronnie Ball, Sal Mosca, Al Shackman, Joe Puma, Sheila Jordan, Martin Taylor, Tony Barnard, Dick Scott, John Richardson | F Major | 1 | 7B | 113 BPM | ||
| Crave | Niko de Oro | E Minor | 2 | 9A | 132 BPM |