"The Box in the Attic" by Martin Landström had its release date on December 26, 2024. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 2 in the song's album "The Box in the Attic". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. The Box in the Attic is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Box in the Attic by Martin Landström having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Normandie (From "Claude Monet: The Immersive Experience") - From "Claude Monet: The Immersive Experience" | Michelino Bisceglia | G Major | 1 | 9B | 60 BPM | ||
| How We Met | Golden Age Radio | E Minor | 4 | 9A | 100 BPM | ||
| Rose Night - From Borsalino & Co | Claude Bolling | A♭ Major | 4 | 4B | 173 BPM | ||
| Happy Day in Paris | ACCORDIONMAN | B♭ Major | 3 | 6B | 179 BPM | ||
| Reimagine | Megan Wofford | F Major | 2 | 7B | 102 BPM | ||
| Springtime in Paris | Tony Osborne | C Major | 4 | 8B | 91 BPM | ||
| Il respiro del mare | Brittanni Kia | D♭ Minor | 2 | 12A | 144 BPM | ||
| Waltz to a Wilting Rose | RZMusic | A Minor | 2 | 8A | 190 BPM | ||
| Pizzicato Pluck | Michael Inden | C Major | 0 | 8B | 101 BPM | ||
| Afternoon Stroll | Luke Pickman | G Major | 2 | 9B | 110 BPM | ||
| Night Jazz | Oleg Kirilkov | D Major | 3 | 10B | 99 BPM | ||
| Passion Pit | Martin Landström | G Major | 4 | 9B | 168 BPM | ||
| Just a Cup of Coffee | Raymond Grouse | B♭ Major | 1 | 6B | 120 BPM | ||
| Honeymoon Swoon | Werner Tautz | A♭ Major | 4 | 4B | 87 BPM | ||
| Le Chat | Wayne Jones, Amy Hayashi-Jones | F Major | 3 | 7B | 114 BPM | ||
| Côte D’Azur | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Sunny San Francisco | Oakwood Station | F Minor | 3 | 4A | 77 BPM | ||
| Stockings Waltz | Franz Gordon, Hanna Ekström, Anna Dager | G Major | 2 | 9B | 145 BPM | ||
| For Once | Almost Here | B♭ Minor | 3 | 3A | 71 BPM | ||
| Rue de la Jazz | JP&K | C Major | 2 | 8B | 90 BPM | ||
| Tinte di Jazz | Dolce Vita | C Major | 4 | 8B | 105 BPM | ||
| Poor Butterfly | The Los Angeles Jazz Ensemble | A♭ Major | 1 | 4B | 122 BPM | ||
| Porto Alegre Homebrew | Redeemin' | A Major | 3 | 11B | 140 BPM | ||
| Want to Dance? - Scene 3 | Maya Belsitzman & Matan Ephrat | N/A | N/A | N/A | 0 BPM | ||
| Makes Me Wonder | Ofelia Moore | F Major | 0 | 7B | 65 BPM |