Bill Perry's ' "Fade To Blue" was released on its scheduled release date, January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bill Perry's "Love Scars" album is number 3 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Fade To Blue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Fade To Blue by Bill Perry to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Accuse Me Of Lyin' | Bill Perry | A♭ Major | 8 | 4B | 118 BPM | ||
| Chevrolet | Robben Ford & The Blue Line | C Major | 9 | 8B | 92 BPM | ||
| Terrorists | Bill Perry | B Minor | 9 | 10A | 134 BPM | ||
| Runaway | The Bluesbones | D♭ Major | 6 | 3B | 89 BPM | ||
| Losing Game | Danny Bryant's Redeyeband | F Major | 8 | 7B | 156 BPM | ||
| Take Me Witcha | Ronnie Baker Brooks | A Major | 8 | 11B | 109 BPM | ||
| Been Down so Long | Jp Soars | G Major | 9 | 9B | 100 BPM | ||
| Allergic to Work | The Bluesbones | D♭ Major | 8 | 3B | 158 BPM | ||
| Killing Floor | Bryce Janey | G Major | 7 | 9B | 92 BPM | ||
| Angels Drink Whiskey | The EvenTunes | C Major | 2 | 8B | 103 BPM | ||
| Dirty Double Dealer | Blindside Blues Band | A Major | 9 | 11B | 119 BPM | ||
| Dimples | Doyle Bramhall | F♯ Minor | 7 | 11A | 128 BPM | ||
| Feel Your Love | Harry Athanass | F Major | 7 | 7B | 138 BPM | ||
| Skin & Bones | Duke Saturday | D Major | 8 | 10B | 115 BPM | ||
| Hazza's Boogie | Harry Athanass | B Major | 6 | 1B | 162 BPM | ||
| I'm A Blues Man | Kenny Neal | F Major | 6 | 7B | 92 BPM | ||
| Sad Blue Eyes | Corey Stevens | D♭ Major | 5 | 3B | 104 BPM | ||
| Cool Guitars | Jimmy Thackery And The Drivers | A Major | 8 | 11B | 125 BPM | ||
| Funky Guitar Blues | Bryce Janey | F Major | 9 | 7B | 115 BPM | ||
| Closing Medley: Dr. Brown / Reconsider Baby (Live) | Stan Webb, Chicken Shack | A Major | 6 | 11B | 130 BPM | ||
| Numb | Will Wilde | E♭ Minor | 5 | 2A | 104 BPM | ||
| Time Has Come | Joanne Shaw Taylor | C Major | 9 | 8B | 91 BPM | ||
| Stop Draggin' That Chain Around | John Primer | D Minor | 7 | 7A | 119 BPM | ||
| Swamplands | Julian Sas | G Minor | 8 | 6A | 118 BPM | ||
| Change It | Doyle Bramhall | F Major | 7 | 7B | 104 BPM |