On September 16, 2000, the song "Raghuvamsa Sudha" was released by M. S. Subbulakshmi, Radha Viswanathan. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "M.S. Subbalakshmi Nada Suda Rasa,Vol. 2" album is number 4 out of 16. On top of that, India appears to be the country where this track was created. In terms of popularity, Raghuvamsa Sudha is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Raghuvamsa Sudha by M. S. Subbulakshmi, Radha Viswanathan to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chamakam | T.Sivaprasad, R.V. Sathyanarayanamurthy | A Major | 7 | 11B | 101 BPM | ||
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM | ||
| Telusukonave Yuvathi | Bhanumathi Ramakrishna | F Minor | 3 | 4A | 155 BPM | ||
| Samajavaragamana | S. P. Balasubrahmanyam, S. Janaki | C Major | 2 | 8B | 81 BPM | ||
| Naam Japan Kyun Chhod Diya | Khallas (Sikh Tradition), M. S. Subbulakshmi | F Minor | 5 | 4A | 80 BPM | ||
| Vinayagar Suprabatham | Bombay Saradha | B Major | 3 | 1B | 115 BPM | ||
| Jagajjanani | Visalakshi Nityanand | E♭ Minor | 6 | 2A | 169 BPM | ||
| Dayato Nanu Kanuma | Kalluri Muralikrishna | F Major | 4 | 7B | 150 BPM | ||
| Gananayakaya | Sudharshan Ajay, Kalyani Gowri Shankar | F Minor | 7 | 4A | 108 BPM | ||
| Bindumalini Thillana - Bindumalini - Adi | Agastya Sridharan, Ashwin Seshadri, IndianRaga, Kamaladeepthi Vempati, Kavitha Jayaraman, Shravan Kumar Ramani, Sindhuja Bhakthavatsalam | A Major | 3 | 11B | 180 BPM | ||
| Shiva Shankari Shivananda | Ghantasala, Chi. Sadashivaiah | F♯ Major | 7 | 2B | 101 BPM | ||
| Alara Chechalamaina | S.V. Anand Bhattar | E♭ Minor | 5 | 2A | 138 BPM | ||
| Krishnashtakam | Seven | G Major | 3 | 9B | 90 BPM | ||
| Adum Chidambaramo - Behag - Adi - Gopalakrishna Bharati (Live) | Sanjay Subrahmanyan | A Major | 4 | 11B | 90 BPM | ||
| Prabho Ganapate | Sivasri Skandaprasad | D♭ Major | 8 | 3B | 128 BPM | ||
| Annapoorne Visalakshi (Raga: Sama; Tala: Adi) | Sikkil Mala Chandrasekhar | B Minor | 4 | 10A | 157 BPM | ||
| Nee Allaal Deivamillai | Sirkazhi Govindarajan | D Major | 7 | 10B | 180 BPM | ||
| Shuklam Baradharam...Gajamukhane | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | C Major | 5 | 8B | 144 BPM | ||
| Muddugare - Kurinji - Adi | Guru V. Krishnamoorthy | D♭ Major | 7 | 3B | 143 BPM | ||
| Nithyanandakari | Mambalam Sisters Vijayalakshmi-Chitra & B. Ramana | C Major | 4 | 8B | 139 BPM | ||
| Seetha Kalyana Vaibogamey | Maharajapuram Santhanam | D♭ Minor | 6 | 12A | 156 BPM | ||
| Ganapathi Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | D Major | 9 | 10B | 160 BPM | ||
| Madhura Nagarilo | Nithya Santhoshini | D Major | 3 | 10B | 98 BPM | ||
| Purusha Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | A Major | 3 | 11B | 163 BPM | ||
| Chamundi Bettadalli | B.K. Sumitra | F♯ Major | 5 | 2B | 82 BPM |