Patsy Riggir's 'Some Sunday Morning' had a release date set for January 1, 2012. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Some Sunday Morning's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Patsy Riggir's "Moonlight and Roses" album is number 12 out of 14. On top of that, New Zealand appears to be the country where this track was created. In terms of popularity, Some Sunday Morning is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Some Sunday Morning by Patsy Riggir to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Ain't Dolly (feat. Joe Moore) | Caitlin, Joe Moore | E♭ Major | 5 | 5B | 127 BPM | ||
| As Soon As I Hang Up the Phone | Margo, Larry Cunningham | G Major | 4 | 9B | 102 BPM | ||
| Why Do I Have To Choose | Logue & McCool | E Major | 2 | 12B | 142 BPM | ||
| Who Did You Call Darlin' | Louise Morrissey | D Major | 5 | 10B | 145 BPM | ||
| It'll Be Her | John Rowles | E Major | 3 | 12B | 116 BPM | ||
| The Love of a Child | Thomas Maguire, Fhiona Ennis | G Major | 4 | 9B | 171 BPM | ||
| Deep Water | Mary Duff | C Major | 4 | 8B | 77 BPM | ||
| Someone Is Looking For Someone Like You | Gail Davies | C Major | 5 | 8B | 83 BPM | ||
| I Just Want To Dance With You | Logue & McCool | D♭ Major | 6 | 3B | 115 BPM | ||
| Darlin When I'm Hurtin | Al Grant/Isla Grant | G Major | 3 | 9B | 98 BPM | ||
| Fooling Feelings | Roly Daniels | G Major | 5 | 9B | 87 BPM | ||
| Please Help Me, I'm Falling (In Love with You) | Janie Fricke | G Major | 2 | 9B | 72 BPM | ||
| Kentucky Waltz | Eddie Low | A Major | 2 | 11B | 98 BPM | ||
| Rainbows & Roses | Logue & McCool | A Major | 7 | 11B | 96 BPM | ||
| My Only Love | Raymond Froggatt | B Major | 10 | 1B | 156 BPM | ||
| The Ghost of Danny Boy | Ailish McBride | B Major | 4 | 1B | 157 BPM | ||
| Everybody's Somebody's Fool | Margo | G Major | 6 | 9B | 159 BPM | ||
| Then He Touched Me | Jean Shepard | D♭ Major | 4 | 3B | 108 BPM | ||
| Just Between the Two of Us | Tony Kerr | B♭ Major | 5 | 6B | 113 BPM | ||
| Our Chain of Love | Jeannie Seely, Jack Greene | C Major | 5 | 8B | 129 BPM | ||
| Say You'll Stay Until Tomorrow | Roy Drusky | F Major | 4 | 7B | 116 BPM | ||
| Things I Wish I'd Said | Frank McCaffrey | E Major | 5 | 12B | 156 BPM | ||
| Two Voices, Two Shadows, Two Faces | Ned Miller | F♯ Major | 2 | 2B | 76 BPM | ||
| Put a Little Love in Your Heart | Susan Raye | D Major | 4 | 10B | 107 BPM | ||
| There Goes My Everything | Jack Greene | B♭ Major | 2 | 6B | 129 BPM |