"The Last Rites" by Abel Korzeniowski had its release date on January 1, 2014. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Last Rites's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Penny Dreadful (Music From The Showtime Original Series)". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. Based on our statistics, The Last Rites's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Last Rites by Abel Korzeniowski having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poe Recounts the Truth | Howard Shore | A Minor | 1 | 8A | 79 BPM | ||
| Time Is Unity | Éric Serra | A♭ Minor | 1 | 1A | 134 BPM | ||
| To Be Beautiful Is To Be Almost Dead | Abel Korzeniowski | A♭ Major | 0 | 4B | 72 BPM | ||
| The Master | Abel Korzeniowski | F♯ Major | 2 | 2B | 107 BPM | ||
| The Whisperer in Darkness | Graham Plowman | F Major | 2 | 7B | 75 BPM | ||
| A Blood Red Moon | Anne Dudley, The Chamber Orchestra Of London | A Major | 1 | 11B | 82 BPM | ||
| Abducted | Daniel Hart | F Minor | 3 | 4A | 66 BPM | ||
| Luck of the Devil | Anne Dudley, The Chamber Orchestra Of London | D♭ Minor | 1 | 12A | 145 BPM | ||
| The Sun Gives Life to Everything But Us | Shruti Kumar, Daniel Hart | D Major | 2 | 10B | 70 BPM | ||
| Deathly Ruins | Invadable Harmony | F Minor | 2 | 4A | 128 BPM | ||
| Ava's Story | Christophe Beck | A♭ Major | 0 | 4B | 86 BPM | ||
| I Fight for Myself | Trevor Morris | D♭ Minor | 4 | 12A | 116 BPM | ||
| Barron's Experiment | Mike Higham, Matthew Margeson | E Minor | 3 | 9A | 75 BPM | ||
| Dracula's Nursery | Alan Silvestri | B Minor | 1 | 10A | 81 BPM | ||
| What Beach? | John Ottman | F Major | 0 | 7B | 180 BPM | ||
| Unraveling | West Dylan Thordson | F Minor | 1 | 4A | 106 BPM | ||
| Meth House | Nick Cave & Warren Ellis | B♭ Minor | 8 | 3A | 110 BPM | ||
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| Poison | Abel Korzeniowski | F♯ Minor | 3 | 11A | 79 BPM | ||
| Covert Plans | Jeff Beal | B Minor | 2 | 10A | 73 BPM | ||
| Forlorn Cliffs | Inon Zur | A Minor | 1 | 8A | 160 BPM | ||
| Mr. Wang's Bloody Suite, Pt. 1-4 | Éric Serra | A♭ Major | 1 | 4B | 71 BPM | ||
| There's Something About Matthew | Rob Lane, The Chamber Orchestra Of London | G Minor | 0 | 6A | 68 BPM | ||
| Dissection | Graham Plowman | A♭ Major | 2 | 4B | 149 BPM | ||
| The Labyrinth | Javier Navarrete | C Minor | 1 | 5A | 66 BPM |