Mayo Okamoto's ' "銀色の週末" was released on its scheduled release date, March 16, 1996. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Pureness". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Japan. 銀色の週末 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 銀色の週末 by Mayo Okamoto having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 大空と大地の中で | Chiharu Matsuyama | F♯ Major | 5 | 2B | 142 BPM | ||
| 夏の日の1993 | class | D♭ Major | 7 | 3B | 95 BPM | ||
| 突然 | ZARD | C Major | 9 | 8B | 107 BPM | ||
| 今すぐKiss Me | LINDBERG | E Major | 8 | 12B | 171 BPM | ||
| WHITE BREATH | T.M.Revolution | A♭ Minor | 9 | 1A | 98 BPM | ||
| 卒業 | Yutaka Ozaki | A Major | 6 | 11B | 120 BPM | ||
| 思い出がいっぱい | H2O | C Major | 4 | 8B | 69 BPM | ||
| masquerade - original rock simulation mix | TRF | C Major | 8 | 8B | 130 BPM | ||
| 上・京・物・語 | Sharam Q | B♭ Minor | 9 | 3A | 136 BPM | ||
| secret base ~君がくれたもの~ | ZONE | F♯ Major | 8 | 2B | 145 BPM | ||
| 夢をあきらめないで | Takako Okamura | D♭ Major | 5 | 3B | 113 BPM | ||
| 旅立ちの日に・・・ | Ai Kawashima | D Major | 4 | 10B | 144 BPM | ||
| 想い出にできなくて | Mayo Okamoto | G Major | 6 | 9B | 150 BPM | ||
| あ〜よかった | hana*hana | A Major | 7 | 11B | 170 BPM | ||
| Lady Generation (Original Mix) | Ryoko Shinohara | A Major | 9 | 11B | 127 BPM | ||
| 空と君のあいだに | 中島みゆき | F♯ Minor | 9 | 11A | 107 BPM | ||
| 悲しいね | Misato Watanabe | A♭ Major | 9 | 4B | 110 BPM | ||
| 大切なあなた | Seiko Matsuda | F♯ Major | 7 | 2B | 113 BPM | ||
| ZUTTO | Mariko Nagai | F Major | 7 | 7B | 78 BPM | ||
| 大きな玉ねぎの下で | Bakufu Slump | F Major | 5 | 7B | 77 BPM | ||
| いつまでも変わらぬ愛を - 2011バージョン | Tetsuro Oda | B♭ Major | 8 | 6B | 127 BPM | ||
| TOMORROW | Mayo Okamoto | C Major | 3 | 8B | 67 BPM | ||
| Always | Ryouta Mitsunaga | A♭ Major | 9 | 4B | 127 BPM | ||
| Missing | Toshinobu Kubota | G Major | 2 | 9B | 136 BPM | ||
| 幸せな結末 | 大滝詠一 | F Major | 6 | 7B | 116 BPM |