"Lakshangeet Raga Alhaiya Bilaval" by Raghunandan Panshikar had its release date on October 15, 2004. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Raghunandan Panshikar's "Janak Thaat Bilaval" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Lakshangeet Raga Alhaiya Bilaval's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lakshangeet Raga Alhaiya Bilaval by Raghunandan Panshikar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Na Bhajata Vithalasi | Vishnubuva Vavanjekar | B♭ Minor | 7 | 3A | 113 BPM | ||
| Thai Thai Mazi Vithai | Rahul Deshpande | C Major | 4 | 8B | 123 BPM | ||
| Humare Sath Sri Raghunath | Harinaam Das | G Major | 3 | 9B | 102 BPM | ||
| Jai Ganesh Deva Aarti Superfast | Manjeera Ganguly, Kuldeep Shukla | A Major | 9 | 11B | 66 BPM | ||
| Guru Sutar Amucha Bhala | Pramod Haryan | E♭ Major | 9 | 5B | 112 BPM | ||
| Krishna Sumiran | Ananya Basu | E Major | 4 | 12B | 100 BPM | ||
| Sankatala Pathishi Ubha Tu Samartha | Shreejeet Gaikwad | A Minor | 6 | 8A | 93 BPM | ||
| Vishnumaya jag (Abhang) | Nagesh Adgaonkar | D Minor | 4 | 7A | 100 BPM | ||
| Siddhi Vinayak Vighna Niwarak Stotra | Raghunandan Panshikar | D Minor | 4 | 7A | 138 BPM | ||
| Kayabeku Vaayu Suthane | Anantha Kulkarni | G Major | 7 | 9B | 158 BPM | ||
| Gaato Vasudev Mi Eka | Baba Maharaj Satarkar | D Minor | 7 | 7A | 110 BPM | ||
| Shri Swami Samarth Suprabhatam | Sujata Dutt, Sunita Prakash, Prsenjeet, Padmakar Kurkute, Arjun Ingle | F Major | 5 | 7B | 190 BPM | ||
| Tum Sharanai Aayo Thakur | Madan Gopal | F♯ Major | 5 | 2B | 87 BPM | ||
| Bhiu Nakos Mi Tujhya Pathishi Aahe | Amruta Kale, Swaroop Anand | F♯ Major | 4 | 2B | 132 BPM | ||
| Ram Ashtakam | Mangesh Borgaonkar | C Minor | 4 | 5A | 80 BPM | ||
| Shri Manchindranath Aarti | Madhuri Vilson | B Minor | 7 | 10A | 170 BPM | ||
| Dradh In Charanan Kero Bharoso | Pushtivrund | C Major | 3 | 8B | 105 BPM | ||
| Tori Najar | Vidit Patankar, Aatur Soni, Shruti Bhave, Vinayak Netke, Raghunandan Panshikar | E Minor | 7 | 9A | 157 BPM | ||
| Shreenathji Dhun | Bipin Parmar | F♯ Major | 4 | 2B | 112 BPM | ||
| Vitthal Maza Maza Mi Vitthalacha (Dhun) | Unmesh Tayade, Avinash Sasane | A♭ Minor | 5 | 1A | 108 BPM | ||
| He Gajanana | Bhagwan Lokre | E♭ Minor | 10 | 2A | 119 BPM | ||
| Tujhe Dakya Karu | Baba Maharaj Satarkar | B♭ Major | 7 | 6B | 75 BPM | ||
| Shri Ananta Madhusudan | Raghunandan Panshikar | D♭ Major | 3 | 3B | 180 BPM | ||
| Shiv Raksha Stotram - Female | Dhanashri Deshpande | A Major | 3 | 11B | 80 BPM | ||
| Mahalakshmi Kavacham | Raghunandan Panshikar, Pandit Brahmashankar Vyas | E♭ Major | 8 | 5B | 120 BPM |