Master Rana's ' "Aaj Mara Mandiriyama Mhale" was released on its scheduled release date, 2006. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Shreenathjini Zankhi (Shreenathjini Mala-2)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Aaj Mara Mandiriyama Mhale is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Aaj Mara Mandiriyama Mhale by Master Rana having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pan Lilu Joyu Ne Tame Yaad Aavya | Varsha Pandya | E♭ Minor | 6 | 2A | 127 BPM | ||
| Nirakhane Ganganamaan | Ashit Desai & Group | D♭ Major | 2 | 3B | 144 BPM | ||
| Ame to Tara Nana Bal | Satish Dehra, Foram Maheta | B♭ Minor | 6 | 3A | 138 BPM | ||
| Vhala Ne Makhan Bhave | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | F Minor | 4 | 4A | 135 BPM | ||
| Vallabh Kulna Vhala Shrinathji | Sachin Limaye, Ami Joshi | E♭ Major | 5 | 5B | 148 BPM | ||
| Bhajan Karva Me Bolavyo | Master Rana | B♭ Major | 6 | 6B | 114 BPM | ||
| Andhari Raat | Atul Purohit, Himali, Smita Shah | A♭ Minor | 5 | 1A | 133 BPM | ||
| Zakho Zakho Divo Maro Joje Re Bujaai Na | Asif Jeriya, Ami Joshi | A♭ Major | 4 | 4B | 103 BPM | ||
| Haveli Bandhavi Dau | Hasmukh Patadiya | F♯ Major | 6 | 2B | 90 BPM | ||
| O Karuna Na Karnara | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 5 | 3A | 107 BPM | ||
| Kunj Me Bhi Radhe | Asif Jeriya, Ami Joshi | F Minor | 5 | 4A | 88 BPM | ||
| Lav Hathedi Shyam Lakhi Dau | Master Rana | F Major | 5 | 7B | 144 BPM | ||
| Kali Durge | Rishi Nityapragya | D♭ Major | 4 | 3B | 91 BPM | ||
| Jai Adhyashakti Aarti | Bipin Sathiya | F Minor | 5 | 4A | 104 BPM | ||
| Maine Ratna Lahyee Radha Naam Ki | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| Maitri Bhavnu Pavitra Zharnu | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | A♭ Minor | 4 | 1A | 92 BPM | ||
| Jamo Jamadu Bhavana Bhojan - Thaal | Bhanu Vora | C Minor | 7 | 5A | 80 BPM | ||
| Ami Bhareli Najaru Rakho | Shailendra Bharti, Nisha Upadhyay | F Major | 4 | 7B | 106 BPM | ||
| Chalkata Jaam | Meghna Purohit, Master Rana | B Minor | 7 | 10A | 115 BPM | ||
| Mari Javani Ni Leela - From "Dadagiri" | Hiral Dave, Master Rana, Kashi Kashyap | E♭ Minor | 8 | 2A | 133 BPM | ||
| Chatak Rangilo | Harikrishna Patel | E Minor | 9 | 9A | 80 BPM | ||
| Virpurma Jalar Nagara Ruda Vage | Kamlesh Barot | A♭ Major | 4 | 4B | 96 BPM | ||
| Jagat Janani | Bhanumathi Narasimhan | F♯ Major | 8 | 2B | 111 BPM | ||
| Main Kanuda Teri Govalana | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 5 | 5B | 89 BPM | ||
| SUDARSHAN KACHAM | NIDHI DHOLKIYA-NITIN DEVKA | F♯ Major | 5 | 2B | 128 BPM |