On 2002, the song "The Voice/Intro" was released by Syleena Johnson. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 15 in Chapter 2: The Voice by Syleena Johnson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Voice/Intro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Voice/Intro by Syleena Johnson is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't No Man | SWV | G Minor | 5 | 6A | 108 BPM | ||
| Struggle To Be (feat. Q. Parker) | Algebra Blessett, Q Parker | D Major | 7 | 10B | 170 BPM | ||
| That Was Then | Lalah Hathaway | B Minor | 4 | 10A | 140 BPM | ||
| Come Over | Changing Faces | F Minor | 5 | 4A | 109 BPM | ||
| Your Portrait | Urban Mystic | B Minor | 5 | 10A | 128 BPM | ||
| Let Me Be The One | Jaguar Wright | D♭ Minor | 6 | 12A | 174 BPM | ||
| Break Me Off (Love Theme from Trippin') | Men of Vizion | B Major | 4 | 1B | 73 BPM | ||
| Can You Feel It | Uncle Sam | B♭ Minor | 6 | 3A | 92 BPM | ||
| Hopes Too High | Marcell & The Truth | F♯ Major | 4 | 2B | 80 BPM | ||
| Let's Talk About It | Men At Large | B Minor | 8 | 10A | 147 BPM | ||
| Um Um Good | Men At Large | C Major | 5 | 8B | 120 BPM | ||
| Sleep In The Middle | Blu Cantrell | G Minor | 6 | 6A | 136 BPM | ||
| Pieces | Hil St. Soul | G Major | 6 | 9B | 144 BPM | ||
| I Can't See | Nicole | B♭ Minor | 6 | 3A | 88 BPM | ||
| Borrow You | Eric Roberson | F Minor | 7 | 4A | 98 BPM | ||
| Something's Goin On | Universal Nubian Vocies | G Minor | 4 | 6A | 127 BPM | ||
| Special Occasion | Syleena Johnson | D♭ Major | 5 | 3B | 96 BPM | ||
| Until The End Of Time | Aaron Hall | B Minor | 7 | 10A | 132 BPM | ||
| Long Ways | Urban Mystic | G Minor | 5 | 6A | 80 BPM | ||
| Where Does Love Go From Here | Ruff Endz | A Minor | 5 | 8A | 120 BPM | ||
| Na Na | Monifah, Chico DeBarge | B Minor | 5 | 10A | 116 BPM | ||
| Forever | The Floacist, Musiq Soulchild/Syleena Johnson as 9ine | F Minor | 5 | 4A | 60 BPM | ||
| Nothing Can Compare | Sparkle | E Minor | 6 | 9A | 178 BPM | ||
| More | LaToya London | C Major | 6 | 8B | 83 BPM | ||
| Could It Be | Jaheim | A Minor | 6 | 8A | 70 BPM |