Koshinder Rishipal's ' "Kashi Ke Bajar Mein Fhirta Hun Lachar Main" was released on its scheduled release date, July 22, 2021. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. Because this song is the only song in Kashi Ke Bajar Mein Fhirta Hun Lachar Main and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Kashi Ke Bajar Mein Fhirta Hun Lachar Main's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kashi Ke Bajar Mein Fhirta Hun Lachar Main by Koshinder Rishipal to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bheruji Ke Chale Gori Mari | Premshankar Jat | E Major | 10 | 12B | 150 BPM | ||
| Anathak Nath Bhola | Dilip Darbhangiya | C Minor | 10 | 5A | 102 BPM | ||
| Tu Mahalo Mea Rahena Ali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A♭ Minor | 4 | 1A | 79 BPM | ||
| Hava Nikal Gai Paiyaan Ki | Naresh Gurjar, Lata Shastri | A Major | 9 | 11B | 105 BPM | ||
| Bhavo Tarpa | Sandip Davare | B♭ Minor | 7 | 3A | 156 BPM | ||
| Pili Lugdi Ke Niche Duba Chunni Me Dikaya Gaal | Hari Singh Dholan | B Minor | 10 | 10A | 128 BPM | ||
| Maya Moh Chhut Jaye Wala Ba | Dhunmun Raja Rasiya, Om Prakash Diwana | D♭ Major | 10 | 3B | 90 BPM | ||
| Kiyu Roi Bata Tera Chala Na Pata | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Bagho Mai Koi Sunta Ho | Satan Khatana | F♯ Major | 8 | 2B | 132 BPM | ||
| Prashasan | Raushan Rohi, Sristi Bharti | D♭ Major | 3 | 3B | 154 BPM | ||
| Meri Aab Bahu Ne Tar | Satpal Dausa | B Major | 9 | 1B | 151 BPM | ||
| Halke Se Mile | Ramprakash Tufani, Ramdevi Sargam | F♯ Major | 9 | 2B | 79 BPM | ||
| Dhan Gail Dhanbad Kamaaye | Bharat Sharma Vyas | B♭ Major | 6 | 6B | 174 BPM | ||
| Jabra Nachave Bhai - Tarpu Mix | DJ Adivasi Maza | A♭ Minor | 9 | 1A | 88 BPM | ||
| Jija Mane Lyade Bali | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | A♭ Major | 6 | 4B | 82 BPM | ||
| Hamato Hila Hila Ke Hari | Jaysingh raja, jyoti Kushvah | F♯ Major | 8 | 2B | 132 BPM | ||
| Ham Hai UP Wale | Ruchi Yadav | A♭ Major | 10 | 4B | 116 BPM | ||
| Raja Takat Singh Sodha | Kheta Khan | E♭ Minor | 8 | 2A | 110 BPM | ||
| Is Bare Me Lachar Hui | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Paradeshi Maja Dhire | Ramkhilawan | A♭ Minor | 9 | 1A | 81 BPM | ||
| Bhabhi Matke Mat Chobare Pe | Suresh Gola | D Major | 9 | 10B | 160 BPM | ||
| Mahantyagi Bigadi Banaye | SHIVANI BURDE | A Major | 7 | 11B | 110 BPM | ||
| Raja Ne Kangal Bana De Nirdhan Ne Dhan Dera | Jagat Bidhuri | A♭ Major | 10 | 4B | 153 BPM | ||
| Pahuncha De Saiya Mayke Bundeli | Malti Singh Parmar, Deshraj Patairiya | E♭ Major | 8 | 5B | 80 BPM | ||
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM |