"Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt)" by George Fenton had its release date on November 6, 2015. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Lady in the Van (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) by George Fenton having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| "I Am King, I Shall Lead" | George Fenton | F Minor | 1 | 4A | 78 BPM | ||
| Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
| Five Bagatelles, Op. 23: No. 2, Romance. Andante tranquillo | Gerald Finzi, Michael Collins, Michael McHale | F Minor | 0 | 4A | 132 BPM | ||
| Piano Concerto No. 2 in A-Flat Major, H. 31: II. Poco adagio | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM | ||
| Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
| Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM | ||
| Jake and Mel | George Fenton | C Major | 2 | 8B | 105 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
| Swan Lake, Op. 20, TH. 12: Pas de trois: 2. Andante sostenuto (Arr. Eshkeri and Orch. Dannheisser) | Belgrade Philharmonic Orchestra, Andy Brown | C Minor | 1 | 5A | 90 BPM | ||
| Blow The Wind Southerly (Arr. Kanneh-Mason for Cello) | Traditional, Sheku Kanneh-Mason | C Major | 0 | 8B | 95 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Mélodie | Pyotr Ilyich Tchaikovsky, Charlie Siem, Paul Goodwin | E♭ Major | 1 | 5B | 78 BPM | ||
| Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM | ||
| Adagio in G Minor | Tomaso Albinoni, City of London Sinfonia, Andrew Watkinson, Ian Watson | C Minor | 1 | 5A | 89 BPM | ||
| Underneath the Stars | Herbert Spencer, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | E♭ Major | 1 | 5B | 100 BPM | ||
| Madame | Matthieu Gonet | C Major | 1 | 8B | 120 BPM | ||
| Namibia: The Lions and The Oryx | George Fenton | F Minor | 1 | 4A | 131 BPM | ||
| Earthspan | Paul Mottram | C Minor | 7 | 5A | 140 BPM | ||
| Élégie, Op. 24 (Version for Cello & Orchestra) | Gabriel Fauré, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | A♭ Major | 0 | 4B | 87 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Alistair McGowan | D♭ Major | 0 | 3B | 66 BPM | ||
| The Typewriter | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | G Major | 3 | 9B | 78 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| Scottish Fantasy, Op. 46: 4. Finale (Allegro guerriero) | Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald | E♭ Major | 1 | 5B | 102 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM |