"Back To The Future Part II: Burn The Book - From "Back To The Future, Pt. II"" by Alan Silvestri had its release date on September 20, 1999. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Back To The Future Part II: Burn The Book - From "Back To The Future, Pt. II"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Back To The Future Trilogy". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Back To The Future Part II: Burn The Book - From "Back To The Future, Pt. II" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Back To The Future Part II: Burn The Book - From "Back To The Future, Pt. II" by Alan Silvestri having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End Credits | Alan Silvestri | F Major | 2 | 7B | 71 BPM | ||
| Eight Years in the Making | John Paesano | C Minor | 4 | 5A | 113 BPM | ||
| Fox Hunt | Metal Gear Sound Team, Naoki Nakashima | C Minor | 5 | 5A | 113 BPM | ||
| Scorponok | Steve Jablonsky | F♯ Minor | 6 | 11A | 80 BPM | ||
| Looking For Me | Basil Poledouris | F Minor | 3 | 4A | 134 BPM | ||
| John Doe | Howard Shore | F♯ Minor | 2 | 11A | 123 BPM | ||
| Ben | Trevor Rabin | C Major | 1 | 8B | 119 BPM | ||
| Order in the Court | Randy Edelman | F Major | 2 | 7B | 112 BPM | ||
| Creation of Tron | London Philharmonic Orchestra, Wendy Carlos | D Minor | 2 | 7A | 80 BPM | ||
| Rock Hammer | Thomas Newman | D Minor | 0 | 7A | 80 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| Spring Training | Mychael Danna | A Major | 2 | 11B | 138 BPM | ||
| Pair O' Docs - From “Back To The Future Pt. II” Original Score | Alan Silvestri | C Major | 0 | 8B | 65 BPM | ||
| The Giant Discovered | Michael Kamen | E Minor | 4 | 9A | 81 BPM | ||
| I Want That Arm | Clinton Shorter | A♭ Major | 4 | 4B | 138 BPM | ||
| And the Warrior Whispers Back | Lorne Balfe | A♭ Major | 6 | 4B | 101 BPM | ||
| No Following | Michael Kamen | A Minor | 1 | 8A | 87 BPM | ||
| Frenzy | Steve Jablonsky | A Minor | 1 | 8A | 85 BPM | ||
| The Mandalorian - Orchestral Version | Ludwig Göransson | D Minor | 2 | 7A | 83 BPM | ||
| Cutting on One | Lorne Balfe | A♭ Major | 4 | 4B | 75 BPM | ||
| Batman Forever: Main Title - From "Batman Forever" | Elliot Goldenthal, Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | B♭ Major | 4 | 6B | 79 BPM | ||
| Enter the Bad Batch - From "Star Wars: The Bad Batch"/Score | Kevin Kiner | D♭ Major | 5 | 3B | 120 BPM | ||
| A Miraculous Return | Rupert Gregson-Williams | E Minor | 3 | 9A | 136 BPM | ||
| Earth to Asgard | Patrick Doyle | D Minor | 6 | 7A | 95 BPM | ||
| Terminator Gets Guns / Search for Sarah | Brad Fiedel | D Major | 2 | 10B | 65 BPM |