Daniel Bachman's 'The Flower Tree' had a release date set for November 11, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 7 in Daniel Bachman by Daniel Bachman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Flower Tree's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Flower Tree by Daniel Bachman is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Unhaunted Williams | James Elkington, Nathan Salsburg | F♯ Major | 3 | 2B | 88 BPM | ||
| We Can't Go Home Again | William Tyler | C Major | 3 | 8B | 107 BPM | ||
| The Last Rockabilly | North Americans | D♭ Major | 3 | 3B | 141 BPM | ||
| Of Its Own Kind | Glenn Jones | A♭ Major | 4 | 4B | 107 BPM | ||
| Vitality | Astral | G Minor | 0 | 6A | 137 BPM | ||
| Just because | Lusa Sarne | F Major | 5 | 7B | 120 BPM | ||
| Little Maggie | Sandy Bull | B Major | 3 | 1B | 92 BPM | ||
| No Further Need | Bruce Langhorne | A Major | 0 | 11B | 120 BPM | ||
| The Going Through | William Tyler, Luke Schneider | D Major | 4 | 10B | 154 BPM | ||
| Grey (Take One) | Daniel Bachman | D Major | 3 | 10B | 97 BPM | ||
| Invention #4 | James Elkington, Nathan Salsburg | D Major | 3 | 10B | 83 BPM | ||
| Laika's Song | Gwenifer Raymond | D Major | 3 | 10B | 175 BPM | ||
| Frazee, MN | Phil Cook | A Major | 4 | 11B | 90 BPM | ||
| Control 3 | Conrad Schnitzler | D♭ Major | 3 | 3B | 141 BPM | ||
| Oh, Command Me Lord ! | Gwenifer Raymond | G Major | 8 | 9B | 153 BPM | ||
| Doc's Guitar | Yasmin Williams | C Minor | 5 | 5A | 120 BPM | ||
| Is it Texas or West Berlin? | Tim Hill | A Major | 6 | 11B | 93 BPM | ||
| Into the Hollows, Pt. II | Daniel Bachman | A♭ Minor | 1 | 1A | 112 BPM | ||
| strayed | Swords2 | D♭ Major | 3 | 3B | 141 BPM | ||
| Kingdom of Jones | William Tyler | C Major | 2 | 8B | 94 BPM | ||
| Crow Feather | Lakota Wind | D♭ Major | 3 | 3B | 141 BPM | ||
| Flower Turned Inside-Out | Glenn Jones | F Major | 4 | 7B | 114 BPM | ||
| Great Depression Blues | Robbie Basho | C Minor | 2 | 5A | 121 BPM | ||
| Elk River | Six Organs Of Admittance | D Major | 2 | 10B | 138 BPM | ||
| Rumori Bianchi | YungCla | B Major | 0 | 1B | 167 BPM |