On November 25, 2019, the song "Hath Pakar Bethaliya" was released by Hariram Gujjar. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Hariram Gujjar's "Hariram Ke Rasiya" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Hath Pakar Bethaliya's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hath Pakar Bethaliya by Hariram Gujjar to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goriya Kavan Gunva Paake Itrail | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Uchiyan Lambiyan Tahliyan | Talib Hussain Dard | F♯ Minor | 9 | 11A | 125 BPM | ||
| Chimta Taan Vajda | Attaullah Khan | F♯ Major | 7 | 2B | 78 BPM | ||
| Pet Me Uthe Bamb Ka Gola | Hariram Gujjar | A Major | 9 | 11B | 143 BPM | ||
| Bedardi Jamana Ba Ae Bhai | Golu Raja | B Minor | 10 | 10A | 136 BPM | ||
| Vekh Sahi Mardaneya | Gurbaksh Singh Albela | F Minor | 7 | 4A | 143 BPM | ||
| To Kaise Ud Rahe Part 9 | Hariram Gujjar, Roop Singh | C Major | 10 | 8B | 130 BPM | ||
| bawari sabal singh chala ghode pe | Ashu Verma | A Major | 5 | 11B | 140 BPM | ||
| Main Aayo Goga Medi Pe | Ramavtar Sharma | A Minor | 5 | 8A | 123 BPM | ||
| Hamne Tumko Dil Ye De Diya | Anand Raj Anand, Alka Yagnik, Babul Supriyo | A Minor | 7 | 8A | 83 BPM | ||
| Aaye Ho Meri Zindagi Mein - Male Version | Udit Narayan | B Major | 8 | 1B | 135 BPM | ||
| Dilbar Dilbar | Alka Yagnik | E Minor | 9 | 9A | 102 BPM | ||
| Maat Nu Laal Pyare | Narendra Chanchal | B Major | 6 | 1B | 101 BPM | ||
| Barre Be Marawat Hain | Surriya Multanikar | E♭ Major | 6 | 5B | 134 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Botal Liyandi Ni | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Araram Ke Sathi Kya Kya Ye | Pt. Gyanendra Sharma | E♭ Minor | 6 | 2A | 99 BPM | ||
| Ab Kaise Hove Jag Me Jivno | Sant Bhajana Nand | A♭ Major | 9 | 4B | 87 BPM | ||
| Kadan Walso Sohna Sanwala | Mansoor Ali Malangi | E♭ Minor | 4 | 2A | 103 BPM | ||
| Pachiso Kal | Ray Chand, Champa Methi | B Minor | 8 | 10A | 170 BPM | ||
| Ram Bhi Milenge Tujhe Shyam Bhi Milenge | Lakhbir Singh Lakkha | A♭ Minor | 6 | 1A | 122 BPM | ||
| Jaanila Maram Hum Khoobhee Tohaar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Kaali Kambali Waleya | Sai Surinder Shah ji | A♭ Major | 6 | 4B | 102 BPM | ||
| Par Nari Vish Ki Katar | Brijesh Shastri | F Major | 7 | 7B | 96 BPM | ||
| Gehu Katab Na Saeya | Samar Singh | F Minor | 9 | 4A | 112 BPM |